DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.29463#0088
(ig25):i88—g6; P. Witteck, "Notes sur )a tughra ottomane," Byzaatioa 18
(ig48):gn-34 and 20 (tg3o):26y-g3; E. Kithnei, "Die osmanische Tughra,"
in Llawi dg^ OrigaG (Wiesbaden, 1433), 2:64.
70. Egerton, /iiintratgd TLaadAooA.
71. S. Canimann, "The Magic Square of Three in Oid Chinese Phiiosophy and
ReigionfLiMtoiyo^Rg/igioa 1, l (Chicago, ig6t).
72. A. Schimmei, CaiiigmpAy aad DZamic CaZ/Mig (New York and London. ig84).
73. See, for exampie, the Hags in the Topkapi Saray Museum in Istanbui. inv. nos.
824,443,1020,10163,27g30,27gg3,and 28gg2.
74. See Gobiet d'Aivieiia, La aiigraZioa dM symAoZ^,* W. Crundei, S^grwg aad SZgrw-
AiZdgr iia GZaaAga 4g^ AZZgrZMOM aatZ tZgr TVcazgiZ (Bonn, ig2 2) and SZgragZaMAg,
StgrargZigioa, wad StgrworaAgZ (Leipzig, ig33); W. Deonna, "Le crucifix de ia
vaiiee de Saas (Va)ais): So) et iune—Histoire dun theme iconographique,"
DgiiMggZ'/iMZoirgtZg^ rgZigiom 122 (ig47) and 123 (ig48).
73. W. H. Roscher, "Sin," in Aizs/M/irZicAgs LgxiAoa &r grigcALc/iga awiZ romisc/igM
MyZ/ioZogig (Leipzig, igog).
76. Such an arm is shown in a statue of King Asurnazirpa) in the Nimrud Gahery
in the British Museum, no. 3g. See H. Bonnet, Dig Wa//gw &r Vo'ZAgr rigs aZ/gw
OrigitG (Leipzig, ig26), 83. See aiso reproduction of the "moon swords" exca-
vated at Teilo.
77. J. Noiviiie, "Le cuite de i'etoiie ciu matin chez ies Arabes preisiamiques et ia
fete de I'Epiphanie," LZg^gris 8 (ig28):363—84; J. Henninger, "Uber Sternk-
unde und Sternkuit in Nord- und Zentraiarabien," ZgiGc/iri/i;/iir L/ZiaoZogig 73
(ig44): 82—117; G. Ryckmans, Lg.s rgLgMw.s ara/ig.s/rrgMZama/Mg.s (Louvain, ig3i);
P. Kunitzsch, /l?aia.sgV<g S^grwwaiwgw rw LMra^a (Wiesbaden, ig3g).
78. H. P. L'Orange, SiMiZigs hi ZAg /cowogra^Ay 0/^ Cosmic AlingsAi^ in ZAg Ancigw^ WorZd
(Osio, ig53).
7g. Ibid., figs. 17 and 18.
80. ft was probabfy an aiiusion to the saving of the city by the appearance of the
moon at the moment of the night assauft by Phitip of Macedonia.
81. W. Ridgeway, "The Origin of the Turkish Crescent," JcMritai o/* ZAg DoyaZ
AaZ/iro^oZogicaZ DisZiZaZg 38 (London, igo8):24i—38.
82. Nur, "L'Histoire du croissant," 272ff.
83. T. Arnoid, "Symboiism and fsfam," DMrZiwgZoaZMagaziwg 33 (ig28):i33—36.
84. L. A. Mayer, Saracgwic LZgraZdiy (Oxford, 1433).
83. A. Sakisian, "Le croissant comme embleme nationai et reiigieux turc," Syria 22
(Paris, ig4i):66—80.
86. M. Rocfinson. "La tune chez ies Arabes et dans I'Isiam: La Iune, mythes et
rites," in S'oMirg.s fhrigaZa/g.s (Paris, 1462).
87. De Lucia, La SaZatZ'Ariai, 143.
88. W. Thomas and K. Pavitt, LA.g D00A 0/ 7'a/omaw.s, TwMZgZ.s, and ZodiacaZ Cgm.s
(London, n.d.), 20; A. H. Winkler, SigggZ awd CAaraAZgrg ia dgr AfMAammgdaa-
AcAgr ZaaAgri (Ber)in and Leipzig, 1430), esp. ch. 6, where some important
sources on Soiomon's Sea) are quoted and ch. 7, in which the roie of the Seat
64
(ig48):gn-34 and 20 (tg3o):26y-g3; E. Kithnei, "Die osmanische Tughra,"
in Llawi dg^ OrigaG (Wiesbaden, 1433), 2:64.
70. Egerton, /iiintratgd TLaadAooA.
71. S. Canimann, "The Magic Square of Three in Oid Chinese Phiiosophy and
ReigionfLiMtoiyo^Rg/igioa 1, l (Chicago, ig6t).
72. A. Schimmei, CaiiigmpAy aad DZamic CaZ/Mig (New York and London. ig84).
73. See, for exampie, the Hags in the Topkapi Saray Museum in Istanbui. inv. nos.
824,443,1020,10163,27g30,27gg3,and 28gg2.
74. See Gobiet d'Aivieiia, La aiigraZioa dM symAoZ^,* W. Crundei, S^grwg aad SZgrw-
AiZdgr iia GZaaAga 4g^ AZZgrZMOM aatZ tZgr TVcazgiZ (Bonn, ig2 2) and SZgragZaMAg,
StgrargZigioa, wad StgrworaAgZ (Leipzig, ig33); W. Deonna, "Le crucifix de ia
vaiiee de Saas (Va)ais): So) et iune—Histoire dun theme iconographique,"
DgiiMggZ'/iMZoirgtZg^ rgZigiom 122 (ig47) and 123 (ig48).
73. W. H. Roscher, "Sin," in Aizs/M/irZicAgs LgxiAoa &r grigcALc/iga awiZ romisc/igM
MyZ/ioZogig (Leipzig, igog).
76. Such an arm is shown in a statue of King Asurnazirpa) in the Nimrud Gahery
in the British Museum, no. 3g. See H. Bonnet, Dig Wa//gw &r Vo'ZAgr rigs aZ/gw
OrigitG (Leipzig, ig26), 83. See aiso reproduction of the "moon swords" exca-
vated at Teilo.
77. J. Noiviiie, "Le cuite de i'etoiie ciu matin chez ies Arabes preisiamiques et ia
fete de I'Epiphanie," LZg^gris 8 (ig28):363—84; J. Henninger, "Uber Sternk-
unde und Sternkuit in Nord- und Zentraiarabien," ZgiGc/iri/i;/iir L/ZiaoZogig 73
(ig44): 82—117; G. Ryckmans, Lg.s rgLgMw.s ara/ig.s/rrgMZama/Mg.s (Louvain, ig3i);
P. Kunitzsch, /l?aia.sgV<g S^grwwaiwgw rw LMra^a (Wiesbaden, ig3g).
78. H. P. L'Orange, SiMiZigs hi ZAg /cowogra^Ay 0/^ Cosmic AlingsAi^ in ZAg Ancigw^ WorZd
(Osio, ig53).
7g. Ibid., figs. 17 and 18.
80. ft was probabfy an aiiusion to the saving of the city by the appearance of the
moon at the moment of the night assauft by Phitip of Macedonia.
81. W. Ridgeway, "The Origin of the Turkish Crescent," JcMritai o/* ZAg DoyaZ
AaZ/iro^oZogicaZ DisZiZaZg 38 (London, igo8):24i—38.
82. Nur, "L'Histoire du croissant," 272ff.
83. T. Arnoid, "Symboiism and fsfam," DMrZiwgZoaZMagaziwg 33 (ig28):i33—36.
84. L. A. Mayer, Saracgwic LZgraZdiy (Oxford, 1433).
83. A. Sakisian, "Le croissant comme embleme nationai et reiigieux turc," Syria 22
(Paris, ig4i):66—80.
86. M. Rocfinson. "La tune chez ies Arabes et dans I'Isiam: La Iune, mythes et
rites," in S'oMirg.s fhrigaZa/g.s (Paris, 1462).
87. De Lucia, La SaZatZ'Ariai, 143.
88. W. Thomas and K. Pavitt, LA.g D00A 0/ 7'a/omaw.s, TwMZgZ.s, and ZodiacaZ Cgm.s
(London, n.d.), 20; A. H. Winkler, SigggZ awd CAaraAZgrg ia dgr AfMAammgdaa-
AcAgr ZaaAgri (Ber)in and Leipzig, 1430), esp. ch. 6, where some important
sources on Soiomon's Sea) are quoted and ch. 7, in which the roie of the Seat
64