DOI Heft:
Rozprawy
DOI Artikel:Łuczak, Dorota: Wielogłosowość śladu: interpretacja fotochemicznych obrazów Andrzeja Pawłowskiego
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.29067#0244
242
DOROTA ŁUCZAK
ating creative energy by the speetator. It refers mainly to the works included in the
eyele “Omamy (ślady gestu).” The titles of partieular works, related to phenomena
which cannot be grasped visually and which are subjeet to abstract eompositien, aro
referred to the ideas of Gaston Baehelard eoncerning imagination. Thus. what eomes
to the foregraund is the speetator’s aetivity inseribed in the proeess of reeeption.
An interpretation presented in the text points to some directions of reading
Pawłowskfs hybrid works, but definitely there is still a lot to be done in this respeet
- for instance, the paper only briefly touches upon the breakthrough in Polish pho-
tography after World War II.
DOROTA ŁUCZAK
ating creative energy by the speetator. It refers mainly to the works included in the
eyele “Omamy (ślady gestu).” The titles of partieular works, related to phenomena
which cannot be grasped visually and which are subjeet to abstract eompositien, aro
referred to the ideas of Gaston Baehelard eoncerning imagination. Thus. what eomes
to the foregraund is the speetator’s aetivity inseribed in the proeess of reeeption.
An interpretation presented in the text points to some directions of reading
Pawłowskfs hybrid works, but definitely there is still a lot to be done in this respeet
- for instance, the paper only briefly touches upon the breakthrough in Polish pho-
tography after World War II.