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74 CATALOGUE OF VASES

p. 229), looking down to 1. at the old man, with 1. hand resting on the window-
sill. He is bearded, with mask, wreath, short purple chiton, sleeved under-
garment with anaxyrides, padded stomach, purple pliallos, and white shoes, in 1.
hand a purple taenia ; in r. he holds up four apples as an offering (cf. Theocr.
iii, 10), while he ascends a ladder resting against the window, grasping it with
1. hand. On the r. is a slave standing on tiptoe to 1. with upturned face, bearded
mask and wreath as the other, short white chiton with purple border, sleeved
under-garment with anaxyrides, padded stomach, and purple pliallos ; in r. hand
a white situla, in 1. a wreath and lighted torch. On the ground, an ivy-plant;
on either side of the window, a vine-wreath.

[Cf. a crater in the Mus. Greg. i. 31 (I in Heydcmann's list), with a comic representation
of Zeus and Hermes visiting Alcmene by night.]

(b) Two cpliebi confronted, wrapped in bordered himatia, with white wreaths
and sandals ; the one on the 1. holds out two apples and a taenia- to the other,
who holds a twig.

F 151, BELL-CRATER. Old No. 1297. Ht. 14} in. Diam. 15 J in. From Apulia. Durand

Coll. 669 ; Beugnot and Hope Colls. El. Cc'r. ii. pi. 94 ; Panofka, Bild. Ant. Leb. pi. 7, fig. 5 ;
Wieseler, Theatergebdude, pi. 9, fig. 13, p. 60 ; Geppert, Altgr. Biihnc, pi. 5 ; Champflcury,
Caric. Ant? p. 201 ; Duruy, Hist, of Greece, iii. p. 67 ; Wiener Vorlegebl. iii. pi. 9 ; Schreiber-
Anderson, Atlas of Class. Antiquities, pi. 5, fig. 11; Baumeister, p. S20 ; Heydemann in
Jahrbuch, i. (1886), p. 287 ; id. Humoristische Vasenb. p. 1 r, note 42 ; Lenormant, Quaest. cur
Plato Aristoph. in conviv.induxerit (Paris, 1838); Gerhard, Hall. Allgem.Litteratiirzeit. 1836,
Intell.-Blatt, p. 33S ; Grysar, De Doriensium Comoedia, p. 45 ; Jahrbuch fur Class. Philol.
Suppl.-Bd. xx. p. 723 ; C. I. Gr. S359. Repaired and restored. Designs red on black ground,
with white accessories. Above the designs, laurel-wreath ; below, maeander and chequer;
round the ends of the handles, egg-moulding ; below the handles, palmettcs.

(a) Scene from a comedy; parody of the myth of Chciron cured by
Apollo (or Asclepios) : On the 1. is a stage, on which is a side-view of a doorway
with projecting porch ornamented with an egg-moulding and scroll-pattern ;
this represents the temple of Apollo at Delphi. The porch is supported by a
sloping bracket; below the stage arc two festoons. The stage is approached by
a ladder of four steps, on the second of which stands the slave Xanthias, who
has preceded Cheiron up the ladder, and turns round to help him up by placing
r. hand on his head. Xanthias is bald and bearded, with short girt bordered
chiton, under-garment with sleeves and anaxyrides in one piece, and pliallos; he
wears a mask with snub nose and large mouth. On the stage behind him
are a large bundle ornamented with zigzags and rings, fastened to a yoke,
and a pilos, which he has laid clown to assist Chciron ; above him is incised :
.. V8IAZ, ltHa]v8ca<}. Cheiron stands on the two lower steps, leaning on a crooked
staff; the hinder part of the Centaur is formed by a slave pushing from behind.
Cheiron is partly bald, with white hair, beard, and shaggy eyebrows, mask with
exaggerated nose and mouth, bordered himation, under-garment as Xanthias,
andp/iallos ; his eyes are closed to indicate blindness. The slave is partly bald,
with white hair and beard, mask and dress as Chciron ; behind him is a youth
 
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