10. Hans Holbein the Elder, the panel of the Graue Passion Altarpiece (after Hans Holbein
d. A. und die Kunst der Spagotik)
ted with.121 miniatures (116 of which are preserved).20 The eventspreceding the Crucifixion inclu-
ded three details resulting from the typological parallel Jeremiah — Christ:
1. The prophet said about his destiny in the dungeon: Lapsa est in lacum vita mea et posuerunt
lapidem super mej" In the Dominican Meditation Christ is said to suffer the same indignity. The
tormentors lead Christ to a smali cave of stone, where „there was a great stone and a stone clog"
and where usually the men condemned to death were kept before the execution. The tormentors
seat Him on the stone and put His legs into the clog although they know that He is too exhausted
29. Rozmyślanie Dominikańskie, T. I, Biblioteka Pisarzów Polskich. Seria A, Nr 3, Wrocław—Warszawa—Kraków, 1965^
p. 190. Our ffl. 2.
03. Lamentalions III, 53; Hieremias XXXVIII, 6.
105
d. A. und die Kunst der Spagotik)
ted with.121 miniatures (116 of which are preserved).20 The eventspreceding the Crucifixion inclu-
ded three details resulting from the typological parallel Jeremiah — Christ:
1. The prophet said about his destiny in the dungeon: Lapsa est in lacum vita mea et posuerunt
lapidem super mej" In the Dominican Meditation Christ is said to suffer the same indignity. The
tormentors lead Christ to a smali cave of stone, where „there was a great stone and a stone clog"
and where usually the men condemned to death were kept before the execution. The tormentors
seat Him on the stone and put His legs into the clog although they know that He is too exhausted
29. Rozmyślanie Dominikańskie, T. I, Biblioteka Pisarzów Polskich. Seria A, Nr 3, Wrocław—Warszawa—Kraków, 1965^
p. 190. Our ffl. 2.
03. Lamentalions III, 53; Hieremias XXXVIII, 6.
105