BULLETIN
DU MUSÉE NATIONAL
DE VARSOVIE
XXXVII 1996 N°3-4
SOMMAIRE
From the Editor 91
Antoni Ziemba „Caravaggio und Caravaggisten”. Ausstellungkonzept 93
Katarzyna Murawska Mary Magdalen, the Counter 97
-Muthesius, Reformation and the Caravaggisti. Are there any
Krystyna Secomska more paintings by Antiveduto Gramatica in Poland?
Zygmunt Wazbinski Bartolomeo Manfredi alla luce dei nuovi documenti. 137
Un artisto caravaggesco e il mercato romano nel
secondo decennio del Seicento
Marcili Kalecihski “Mary Magdalen at the Tomb of Christ”. 154
An unknown work of Antiveduto Gramatica at
the Visitation Convent in Cracow
Tadeusz Dobrzeniecki Ideengehalt der „Grablegung” Caravaggios 165
Paulina Ratkowska Einige Bemerkungen zur „Grablegung” Caravaggios 173
Rüdiger Klessmann Jan Lievens und die Utrechter Caravaggisten 181
Leonard j. Slatkes » Bringing Ter Brugghen and Barburen up-to-date 199
Maciej Monkiewicz Ter Brugghen and Henthorst in Poland 220
Adam Kilian, A Stage Design for Caravaggio 246
Joanna Kilian
DU MUSÉE NATIONAL
DE VARSOVIE
XXXVII 1996 N°3-4
SOMMAIRE
From the Editor 91
Antoni Ziemba „Caravaggio und Caravaggisten”. Ausstellungkonzept 93
Katarzyna Murawska Mary Magdalen, the Counter 97
-Muthesius, Reformation and the Caravaggisti. Are there any
Krystyna Secomska more paintings by Antiveduto Gramatica in Poland?
Zygmunt Wazbinski Bartolomeo Manfredi alla luce dei nuovi documenti. 137
Un artisto caravaggesco e il mercato romano nel
secondo decennio del Seicento
Marcili Kalecihski “Mary Magdalen at the Tomb of Christ”. 154
An unknown work of Antiveduto Gramatica at
the Visitation Convent in Cracow
Tadeusz Dobrzeniecki Ideengehalt der „Grablegung” Caravaggios 165
Paulina Ratkowska Einige Bemerkungen zur „Grablegung” Caravaggios 173
Rüdiger Klessmann Jan Lievens und die Utrechter Caravaggisten 181
Leonard j. Slatkes » Bringing Ter Brugghen and Barburen up-to-date 199
Maciej Monkiewicz Ter Brugghen and Henthorst in Poland 220
Adam Kilian, A Stage Design for Caravaggio 246
Joanna Kilian