CONTENTS
PART I
PAGE
THE PRE-PHOENICIAN SCRIPTS OF CRETE. THEIR MEDITERRANEAN RELA-
TIONS AND PLACE IN MINOAN STORY.........i-iio
§ i. Antiquity and European Diffusion of the Pictographs and Linear Signs i
§2. Discovery of the Successive Types of Minoan Writing........ 8
5 3. The Hieroglyphic Archives of Knossos........... 19
5 4. The Hieroglyphic Disk from Phaestos........... 22
§ 5. The Linear Script of Class A............. 28
§ 6. The Linear Script of Class B............. 38
§ 7. Survivals of the Art of Writing during the Decadence of the Minoan and Mycenaean Culture 54
§ 8. Minoan Influences on the Anatolian Side.......... '61
5 9. Minoan Cyprus and the Insular Scripts........... 68
§ 10, Cretan Philistines and the Phoenician Alphabet......... 77
§11. Minoan Contact with Egypt, Italy, and Spain......... 95
§ 12. Survival of Minoan Elements in Crete and the Tradition of the Native System of Writing . 100
§ 13. Was the Discovery of the Minoan Writing anticipated by Classical Antiquity? . . . 106
PART II
THE HIEROGLYPHIC OR CONVENTIONALIZED PICTOGRAPHIC SCRIPT OF
CRETE, WITH ITS ANTECEDENTS AND AFFINITIES......111-272
§ 1. Primitive Linear Signs and Figures........... 111
5 2. Protodynastic Egyptian and Egypto-Libyan Influences on Cretan Seal-stones . . . 118
§3. The Early Prism-seals of Crete with Pictographic Designs....... 130
§ 4. Seals and Sealings of the Conventionalized Pictographic or Hieroglyphic Type.—Class A . 134
g 5. Seals exhibiting the Conventionalized Pictographic or Hieroglyphic Script of Ciass B . . 138
§6. The Clay Documents exhibiting Graffito Inscriptions and Seal-impressions of Class B found
in the Hieroglyphic Deposit at Knossos.......... 144
§ 7. Catalogue of Conventionalized Pictographic (or Hieroglyphic) Inscriptions on Seals and
Sealings................ 149
§ 8. Catalogue of Conventionalized Pictographic (or Hieroglyphic) Inscriptions on Clay Sealings,
Tablets, Bars, and Labels............ 163
§9. Catalogue of Hieroglyphic Signs............ i8r
§ 10. Analysis of the Hieroglyphic or Conventionalized Pictographic Signary .... 234
|ri. Characteristics of the Hieroglyphic Script.......... 245
§ 12. Arrangement of the Hieroglyphic Inscriptions......... 250
§ 13. The Hieroglyphic Numeration............ 256
§ 14. Correlation of the Glyptic and Graffito Inscriptions : Recurrent Sign-groups . . 260
§ 15. Evidences of Official Titles, Personal Names, and Canting Badges on the Hieroglyphic
Signets................ 263
PART III
THE PHAESTOS DISK .............273-293
§ r. Supplementary Remarks on the Discovery and General Characteristics of the Disk . . 273
§ 2. The Hieroglyphic Signary of the Phaestos Disk......... 275
§ 3. Analysis of the Sign-groups on the Disk........... 280
§ 4. Non-Minoan Character of the Hieroglyphic System represented on the Disk . . . 285
§ 5. Evidences of Metrical Arrangement in the Inscriptions on the Disk..... 287
§ 6. The Inscription possibly a Religious Chaunt in honour of the Anatolian Great Mother. . 291
ANALYTICAL INDEX................ 294
PART I
PAGE
THE PRE-PHOENICIAN SCRIPTS OF CRETE. THEIR MEDITERRANEAN RELA-
TIONS AND PLACE IN MINOAN STORY.........i-iio
§ i. Antiquity and European Diffusion of the Pictographs and Linear Signs i
§2. Discovery of the Successive Types of Minoan Writing........ 8
5 3. The Hieroglyphic Archives of Knossos........... 19
5 4. The Hieroglyphic Disk from Phaestos........... 22
§ 5. The Linear Script of Class A............. 28
§ 6. The Linear Script of Class B............. 38
§ 7. Survivals of the Art of Writing during the Decadence of the Minoan and Mycenaean Culture 54
§ 8. Minoan Influences on the Anatolian Side.......... '61
5 9. Minoan Cyprus and the Insular Scripts........... 68
§ 10, Cretan Philistines and the Phoenician Alphabet......... 77
§11. Minoan Contact with Egypt, Italy, and Spain......... 95
§ 12. Survival of Minoan Elements in Crete and the Tradition of the Native System of Writing . 100
§ 13. Was the Discovery of the Minoan Writing anticipated by Classical Antiquity? . . . 106
PART II
THE HIEROGLYPHIC OR CONVENTIONALIZED PICTOGRAPHIC SCRIPT OF
CRETE, WITH ITS ANTECEDENTS AND AFFINITIES......111-272
§ 1. Primitive Linear Signs and Figures........... 111
5 2. Protodynastic Egyptian and Egypto-Libyan Influences on Cretan Seal-stones . . . 118
§3. The Early Prism-seals of Crete with Pictographic Designs....... 130
§ 4. Seals and Sealings of the Conventionalized Pictographic or Hieroglyphic Type.—Class A . 134
g 5. Seals exhibiting the Conventionalized Pictographic or Hieroglyphic Script of Ciass B . . 138
§6. The Clay Documents exhibiting Graffito Inscriptions and Seal-impressions of Class B found
in the Hieroglyphic Deposit at Knossos.......... 144
§ 7. Catalogue of Conventionalized Pictographic (or Hieroglyphic) Inscriptions on Seals and
Sealings................ 149
§ 8. Catalogue of Conventionalized Pictographic (or Hieroglyphic) Inscriptions on Clay Sealings,
Tablets, Bars, and Labels............ 163
§9. Catalogue of Hieroglyphic Signs............ i8r
§ 10. Analysis of the Hieroglyphic or Conventionalized Pictographic Signary .... 234
|ri. Characteristics of the Hieroglyphic Script.......... 245
§ 12. Arrangement of the Hieroglyphic Inscriptions......... 250
§ 13. The Hieroglyphic Numeration............ 256
§ 14. Correlation of the Glyptic and Graffito Inscriptions : Recurrent Sign-groups . . 260
§ 15. Evidences of Official Titles, Personal Names, and Canting Badges on the Hieroglyphic
Signets................ 263
PART III
THE PHAESTOS DISK .............273-293
§ r. Supplementary Remarks on the Discovery and General Characteristics of the Disk . . 273
§ 2. The Hieroglyphic Signary of the Phaestos Disk......... 275
§ 3. Analysis of the Sign-groups on the Disk........... 280
§ 4. Non-Minoan Character of the Hieroglyphic System represented on the Disk . . . 285
§ 5. Evidences of Metrical Arrangement in the Inscriptions on the Disk..... 287
§ 6. The Inscription possibly a Religious Chaunt in honour of the Anatolian Great Mother. . 291
ANALYTICAL INDEX................ 294