158
preoision: be eiso tbrexv in tbe eecompsniments ok tbe t>vo
viobns, xvberever tbe^- >vere most necesserv enb pro6uee6 tim
dost ekkeots.
It is weit icno'.vn, tbet nons but tbe most eepitei musieiens
31-6 eepebie ok eeeompeninA in tbis Superior 8lile.
^Vs rn3N^' ok tbose, ^vbo me^ be present, xvben tbis letler
me^ beve tim bononr ok being reeci betöre tbe sooietv, mev
not possibi^ be eeciueinteci xvitb tbe ciikbouit^ ok pievinZ tbus
krom 3 musioei seore, l xviii enbeevour to explain it b^ tbe
most similer eomp3rison I een tbinb ob
I mnst eci tbe seine time erimit, tbet tim iliustrelion '.viii
teil in one pertiouigr, es tbe voiee in reeciinZ eennot eompre-
benb more lben >vbet is eonteineci in e single bne. I must
suppose bo^vever, tbet tbe reeäer's e^e, b^ imbit enä ^uieb-
N688, me^ tebe in otber iines, tbouZb tbe voiee eennot 3iti-
euiete tlmm, es tbe musieien eeeompenies tbe >vorcis ok en
eir b^ bis berpsieborci.
bet it be imeZineb tberekore, tbet e ebilcl ok eiZbt ^eers
oI6 ^V38 cbreetsci to reeb bve iines et onoe, in kour^ okxvbieii
tbe ietters ok tbe eipiiebet xvere to beve bikkerent povvers.
bor exempie, in tbe ürst lins to bevs ils common pe-
rvers.
In tbe seoonä tbet ok 6.
In tbe Ibir6 tbet ok L.
In tbe kourtb ok O.
bet it be ooneeiveä eiso, tbet tbe iines so eomposeä ok
ebgr3eter8 ^vitir bikikerent po^vers ere not renZeb so es to be
reeb et eil times one execliv nnber tire otber, but okten in e
besuitor^ menner.
3) tbis I meen
bbe t>vo perts kor tbe violins
bks upper pert tor tbe voiee
bbe vvorcis set to musie
_^nci lestl^ tbe bese.
-i) 8v tbis I insen
bbe violin perts in tbs oominon trebie ciekk
bbs upper pert kor tbe voiee in tbe eontreito eiekt es besorg
mentionsä
bbe xvoräs in oommon obereeters
^nb tbe bese in its common cletb
preoision: be eiso tbrexv in tbe eecompsniments ok tbe t>vo
viobns, xvberever tbe^- >vere most necesserv enb pro6uee6 tim
dost ekkeots.
It is weit icno'.vn, tbet nons but tbe most eepitei musieiens
31-6 eepebie ok eeeompeninA in tbis Superior 8lile.
^Vs rn3N^' ok tbose, ^vbo me^ be present, xvben tbis letler
me^ beve tim bononr ok being reeci betöre tbe sooietv, mev
not possibi^ be eeciueinteci xvitb tbe ciikbouit^ ok pievinZ tbus
krom 3 musioei seore, l xviii enbeevour to explain it b^ tbe
most similer eomp3rison I een tbinb ob
I mnst eci tbe seine time erimit, tbet tim iliustrelion '.viii
teil in one pertiouigr, es tbe voiee in reeciinZ eennot eompre-
benb more lben >vbet is eonteineci in e single bne. I must
suppose bo^vever, tbet tbe reeäer's e^e, b^ imbit enä ^uieb-
N688, me^ tebe in otber iines, tbouZb tbe voiee eennot 3iti-
euiete tlmm, es tbe musieien eeeompenies tbe >vorcis ok en
eir b^ bis berpsieborci.
bet it be imeZineb tberekore, tbet e ebilcl ok eiZbt ^eers
oI6 ^V38 cbreetsci to reeb bve iines et onoe, in kour^ okxvbieii
tbe ietters ok tbe eipiiebet xvere to beve bikkerent povvers.
bor exempie, in tbe ürst lins to bevs ils common pe-
rvers.
In tbe seoonä tbet ok 6.
In tbe Ibir6 tbet ok L.
In tbe kourtb ok O.
bet it be ooneeiveä eiso, tbet tbe iines so eomposeä ok
ebgr3eter8 ^vitir bikikerent po^vers ere not renZeb so es to be
reeb et eil times one execliv nnber tire otber, but okten in e
besuitor^ menner.
3) tbis I meen
bbe t>vo perts kor tbe violins
bks upper pert tor tbe voiee
bbe vvorcis set to musie
_^nci lestl^ tbe bese.
-i) 8v tbis I insen
bbe violin perts in tbs oominon trebie ciekk
bbs upper pert kor tbe voiee in tbe eontreito eiekt es besorg
mentionsä
bbe xvoräs in oommon obereeters
^nb tbe bese in its common cletb