DOI Page / Citation link:
https://doi.org/10.11588/diglit.59633#0297
Z^ZTVZVV^V.
215
out of tbs picture, eacb bolding a golden apple iu one band unci resting tbs otber
on tbe sbouldsr of tire central Lgurs. Loral cbains adorn tire bair of tire Oraces
on eitlrsr side, and tlrs tlrircl wears a coral necklace. In tire distance we Irave a
landscape witb Irilis.
"Lire nude portions of tiress tlgures are grandl/ drawn in tire master's second
manner; we believe tire date of tire picture to be 1506, and tirat it was painted b/
L.apbael for one of Iris friends at Urbino, after a drawing tirat Ire made of tire
antique group in tbs of tire Latbsdrai of Lienna. Lbs picture itself is
now in tbs possession of Lord Dudley; it was engraved b/ L. Lorster in 1841.
43-
or Ivo iconics.
Lusts witbout bands, ratber larger tban life; painted in distemper on wood.
1'be beads of tbs monks are in proLie, witb tbs e/ss raised, and we believe
tbs/ were meant to bang on eitber side of a crucitlx, so as to look up at Lbrist.
Lbs/ were painted in tbs IVlonastsr/ of Vaiionrbrosa, in distemper, probably
because suitable oil could not be obtained.
Hrs cbisf of tbs order, Don Liasio, is a pious old man of ordinary cbaractsr,
treated in Hapbaei's usual manner, witb brown-grs/ sbadows, rsddislr bail-tints
and wbite ligbts. Lbs background is of a vigorous tone.
Don Laidassars, turning to tbs left, is in tbs prime of life ; be is ratber tbin, bis
complexion is dark, and tbs earnest tbougbtful expression of bis face is tbat of a
man of bigb intelligence. Lire name of tbs person represented is inscribed on
eacb portrait.
Lbsse likenesses are full of trutb and power, and we already recognise in
tbem tbs band of tbs great autbor of tbe celebrated fresco of tbs " Dispute of tbs
Doi/ Lacrament." Lbs/ passed from Vaiionrbrosa to tbe Florence Laller/,
wbsre, according to Lottari, tbe/ were erroneous!/ attributed to Lerugino.
44.
LokritLH or- L Voti^o ^VoLiLN. (Vbout 1507.)
On wood. In tbe Litti Lalacs. Lrokie kgure, seated.
woman, still /oung, not strictl/ beautiful, but witb sometbivg ver/ attractive
in ber face. Her long dark brown kair is loose!/ conLnsd in a net, sirs rests ber
rigbt arm on a table, and bolds a pair of gloves in ber band. Lbs execution of
tbis cbarming portrait is extremel/ delicate, tbs sbaps of tbs bead and bands is
perfect, tbe colouring of tbs Lssb, frssb and clear, and tbs drawing of tbe wbois
far less laboured tban in tbs portraits ol tbs two Doni.
Lbis picture is well preserved, and bas been late!/ added to tbs Litti
collection.
45-
Lur Llonv LEII.V or 1IIL LLNioiLNI L^LIIUV.
On wood; bsigbt Zij. incbes, widtb 42 incbes.
Lbe Virgin is seated in a meadow; witb ber rigbt band sbe bolds ^ssus on ber
215
out of tbs picture, eacb bolding a golden apple iu one band unci resting tbs otber
on tbe sbouldsr of tire central Lgurs. Loral cbains adorn tire bair of tire Oraces
on eitlrsr side, and tlrs tlrircl wears a coral necklace. In tire distance we Irave a
landscape witb Irilis.
"Lire nude portions of tiress tlgures are grandl/ drawn in tire master's second
manner; we believe tire date of tire picture to be 1506, and tirat it was painted b/
L.apbael for one of Iris friends at Urbino, after a drawing tirat Ire made of tire
antique group in tbs of tire Latbsdrai of Lienna. Lbs picture itself is
now in tbs possession of Lord Dudley; it was engraved b/ L. Lorster in 1841.
43-
or Ivo iconics.
Lusts witbout bands, ratber larger tban life; painted in distemper on wood.
1'be beads of tbs monks are in proLie, witb tbs e/ss raised, and we believe
tbs/ were meant to bang on eitber side of a crucitlx, so as to look up at Lbrist.
Lbs/ were painted in tbs IVlonastsr/ of Vaiionrbrosa, in distemper, probably
because suitable oil could not be obtained.
Hrs cbisf of tbs order, Don Liasio, is a pious old man of ordinary cbaractsr,
treated in Hapbaei's usual manner, witb brown-grs/ sbadows, rsddislr bail-tints
and wbite ligbts. Lbs background is of a vigorous tone.
Don Laidassars, turning to tbs left, is in tbs prime of life ; be is ratber tbin, bis
complexion is dark, and tbs earnest tbougbtful expression of bis face is tbat of a
man of bigb intelligence. Lire name of tbs person represented is inscribed on
eacb portrait.
Lbsse likenesses are full of trutb and power, and we already recognise in
tbem tbs band of tbs great autbor of tbe celebrated fresco of tbs " Dispute of tbs
Doi/ Lacrament." Lbs/ passed from Vaiionrbrosa to tbe Florence Laller/,
wbsre, according to Lottari, tbe/ were erroneous!/ attributed to Lerugino.
44.
LokritLH or- L Voti^o ^VoLiLN. (Vbout 1507.)
On wood. In tbe Litti Lalacs. Lrokie kgure, seated.
woman, still /oung, not strictl/ beautiful, but witb sometbivg ver/ attractive
in ber face. Her long dark brown kair is loose!/ conLnsd in a net, sirs rests ber
rigbt arm on a table, and bolds a pair of gloves in ber band. Lbs execution of
tbis cbarming portrait is extremel/ delicate, tbs sbaps of tbs bead and bands is
perfect, tbe colouring of tbs Lssb, frssb and clear, and tbs drawing of tbe wbois
far less laboured tban in tbs portraits ol tbs two Doni.
Lbis picture is well preserved, and bas been late!/ added to tbs Litti
collection.
45-
Lur Llonv LEII.V or 1IIL LLNioiLNI L^LIIUV.
On wood; bsigbt Zij. incbes, widtb 42 incbes.
Lbe Virgin is seated in a meadow; witb ber rigbt band sbe bolds ^ssus on ber