Penley, Aaron: A System Of Water-Colour Painting: Being A Complete Exposition Of The Present Advanced State Of The Art, As Exhibited In The Works Of The Modern Water-Colour School (London, 1852)

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INDEX.

PAGE
Running Streams ... ... 32
Rough Water ....... 35
Reflections in Water ...... 36
Rocks ........ 40
•-vegetation on, how painted . . . .40
-colours for ...... 42
Rushes, drawings of, in foregrounds . . . .49
Roads, rules for the painting of . . . . .51
Relief, principle of ...... 8
Sketch, finished, how different from a finished picture . . 29
Stones in Water, colours for division and markings of . .35
Sea ........ 35
Scarborough, note made at ..... 36
Surf, lights ....... 36
Sea, colours for the painting of . . . . 37
Stormj’ Sea, colours for ..... 38
Sea Greens ....... 38
Shipping ........ 39
Sails, effect of, in pictures . . . . .39
-colours for ...... 40
Stones and Rocks, how coloured ..... 42
Stems and Branches, principle of drawing . . .46
■-colours for . . . . .48
Stones and Leaves, &c., colours for . . . .52
Slate, colours for ...... 53
Space, not Surface, to be represented . . . .6
Sketches from nature to be constantly made and registered . 11
Sky ........ 13
Sunset Skies ....... 14
Sand Paper (No. 0) used in the granulation of clouds . . IS
Sponge, use of, in cloud painting ..... 19
Sunset, colours for ...... 20
Sunrise, colours for 4 ..... 20
Silvery tones of Clouds, colours for . . . .21
Sunset and Sunrise Clouds, colours for . . . .22
Sheep, colours for . . . , . .57
Thatch, colours for ...... 54
Thick colour, how used in the painting of trees . . 44
Third Distance, treatment of . . . . .24
Tiles, colours for ...... 53
Tint, first general, how made and used . . . .12
Trees, rules for observing the foliage of . . .43
• -representation of, in masses . . . .44
• - colours for . . . . . .47
Trunks of Trees, observations upon . . 44