Mr. Whistler s Lithographs
lately described in The Studio. On stone it has treatment of a street scene, suggested no doubt by
been in use nearly as long as lithography has been the subject, which is very typical of Paris in its
invented, being always a favourite process with older quarters. La Belle Dame Paresseuse is more
French artists; but its application by Mr. Whistler like a charcoal drawing than a lithograph ; but the
to his drawings is on quite individual and distinct next two, Confidences dans le jardin, here illus-
lines, as will be seen when we study the Luxem- trated, and La Belle Jardiniere, do not fail to
bourg series—The Steps, with its dainty figures impress themselves as lithographs of the most
ascending and groups at the top, or the dark Dome delightful description, and show a new and unex-
of the Pantheon from the terrace on which are the pected side of the artist's art; surely they cannot
familiar nursemaids and children, here illustrated ; fail to entirely satisfy the most utter Philistine,
but the peculiar quality, the velvety softness of whilst they will give equal pleasure to his warmest
stumping, is seen admirers; and
in its most elabo- the same remark
rate form, per- /0r%=3> applies to the
haps, in the Nude night interior,
Model Reclining X. The Duet; the
and the Draped \ arrangement of
Model Seated, ._......... ' jt , I light and shade
which are almost ___^SgsWa I is worthy of
entirely modelled ZZ4] t^J^V '•' Rembrandt in
n
by this process; til "'. •.•„•> , his own peculiar
such work, in- ^ ... ,„ _j hne. the two
deed, shows the x^"^* "• ~ dark interiors,
master! jtA The Smith and
The next few__ 1 : The Forge, of the
drawings return Place du Dragon,
to the simple mark yet another
methods of the j * r" % change, and
earlier ones, The should be con-
Nursemaids and . • sidered as draw-
The Balconies . .. .... ' /vp&kWk_s-~, ings on stone,
being drawn with ; for, although
the point. The drawn on paper
former is a very from Nature and
typical example ,, transferred to
JL 1 "THE LITTLE NUDE MODEL READING BY J. MCNEIL WHISTLER
of Mr. Whistler's stone, the fine
treatment of a qualities of both
number of little groups of figures; charmingly were then added; and where is more exquisite
composed, treated in a manner that rivals finish to be found than will be seen in the little
Hiroshige in his rendering of Japanese streets. figures of these two drawings ? In them, also, the
The two drawings called The Balcony and 7he peculiar qualities of stumping is observable.
Long Balcony, in brilliant sunlight, are hardly Then we have the charming drawing, La Robe
suggestive of the sombre occasion which called Rouge, so lately printed in The Studio, La Belle
them into being—the funeral of President Carnot. Dame Endormie, and the beautiful group of the
The Long Gallery, Louvre, one of the few interiors, Sisters, graceful alike in action and composition,
will be well within the memory of the readers of and the two splendid portraits, Stephane Mallarm'e,
The Studio. With the Rue Furstenburg we come the great French poet, and The Doctor, the famous
to a fresh development, the drawing being free throat surgeon, and brother of the artist. Next we
from the mechanical texture to be found in those come to the latest series of drawings, made during
preceding it—although it must be allowed that the the last few months at Lyme Regis, and showung
artist has used this grain in such a way that it in yet another side to the artist's amazing versatility,
no sense interferes with the beauty of his drawings, for who wrould have imagined that he would now
and in fact, it is quite unnoticeable until we look show himself as an accomplished animal draughts-
for it; but this drawing shows a quite different man? And yet, are not The SmitKs Yard and
224
lately described in The Studio. On stone it has treatment of a street scene, suggested no doubt by
been in use nearly as long as lithography has been the subject, which is very typical of Paris in its
invented, being always a favourite process with older quarters. La Belle Dame Paresseuse is more
French artists; but its application by Mr. Whistler like a charcoal drawing than a lithograph ; but the
to his drawings is on quite individual and distinct next two, Confidences dans le jardin, here illus-
lines, as will be seen when we study the Luxem- trated, and La Belle Jardiniere, do not fail to
bourg series—The Steps, with its dainty figures impress themselves as lithographs of the most
ascending and groups at the top, or the dark Dome delightful description, and show a new and unex-
of the Pantheon from the terrace on which are the pected side of the artist's art; surely they cannot
familiar nursemaids and children, here illustrated ; fail to entirely satisfy the most utter Philistine,
but the peculiar quality, the velvety softness of whilst they will give equal pleasure to his warmest
stumping, is seen admirers; and
in its most elabo- the same remark
rate form, per- /0r%=3> applies to the
haps, in the Nude night interior,
Model Reclining X. The Duet; the
and the Draped \ arrangement of
Model Seated, ._......... ' jt , I light and shade
which are almost ___^SgsWa I is worthy of
entirely modelled ZZ4] t^J^V '•' Rembrandt in
n
by this process; til "'. •.•„•> , his own peculiar
such work, in- ^ ... ,„ _j hne. the two
deed, shows the x^"^* "• ~ dark interiors,
master! jtA The Smith and
The next few__ 1 : The Forge, of the
drawings return Place du Dragon,
to the simple mark yet another
methods of the j * r" % change, and
earlier ones, The should be con-
Nursemaids and . • sidered as draw-
The Balconies . .. .... ' /vp&kWk_s-~, ings on stone,
being drawn with ; for, although
the point. The drawn on paper
former is a very from Nature and
typical example ,, transferred to
JL 1 "THE LITTLE NUDE MODEL READING BY J. MCNEIL WHISTLER
of Mr. Whistler's stone, the fine
treatment of a qualities of both
number of little groups of figures; charmingly were then added; and where is more exquisite
composed, treated in a manner that rivals finish to be found than will be seen in the little
Hiroshige in his rendering of Japanese streets. figures of these two drawings ? In them, also, the
The two drawings called The Balcony and 7he peculiar qualities of stumping is observable.
Long Balcony, in brilliant sunlight, are hardly Then we have the charming drawing, La Robe
suggestive of the sombre occasion which called Rouge, so lately printed in The Studio, La Belle
them into being—the funeral of President Carnot. Dame Endormie, and the beautiful group of the
The Long Gallery, Louvre, one of the few interiors, Sisters, graceful alike in action and composition,
will be well within the memory of the readers of and the two splendid portraits, Stephane Mallarm'e,
The Studio. With the Rue Furstenburg we come the great French poet, and The Doctor, the famous
to a fresh development, the drawing being free throat surgeon, and brother of the artist. Next we
from the mechanical texture to be found in those come to the latest series of drawings, made during
preceding it—although it must be allowed that the the last few months at Lyme Regis, and showung
artist has used this grain in such a way that it in yet another side to the artist's amazing versatility,
no sense interferes with the beauty of his drawings, for who wrould have imagined that he would now
and in fact, it is quite unnoticeable until we look show himself as an accomplished animal draughts-
for it; but this drawing shows a quite different man? And yet, are not The SmitKs Yard and
224