Charles Reid's Animal Photographs
fourth having been flung
away.
The production of suc-
cessful animal pictures can
be better learnt by experi-
ence than description.
Mr. Reid says : “No
hard-and-fast rules can be
laid down for taking
animals to advantage, but
it may safely be affirmed
that without a lively sym-
pathy with the lower crea-
tion, no one need approach
its members with a camera
unless he deliberately
chooses to be bored.
Their habits and tempera-
ments will be found to
differ widely, and then
they have to be dealt with
POINTERS AT WORK FROM THE PHOTOGRAPH BY CHARLES REID J .
(Copyright, Autotype Co.) under varying conditions
of light — sometimes in
developed it, when to his surprise he found the most unfavourable localities and in all sorts of
photographic curiosity—a horse with three legs, the weather. In order to tackle them successfully one
SWANS
(Copyright, Autotype Co.) from the photograph by Charles reid
33°
fourth having been flung
away.
The production of suc-
cessful animal pictures can
be better learnt by experi-
ence than description.
Mr. Reid says : “No
hard-and-fast rules can be
laid down for taking
animals to advantage, but
it may safely be affirmed
that without a lively sym-
pathy with the lower crea-
tion, no one need approach
its members with a camera
unless he deliberately
chooses to be bored.
Their habits and tempera-
ments will be found to
differ widely, and then
they have to be dealt with
POINTERS AT WORK FROM THE PHOTOGRAPH BY CHARLES REID J .
(Copyright, Autotype Co.) under varying conditions
of light — sometimes in
developed it, when to his surprise he found the most unfavourable localities and in all sorts of
photographic curiosity—a horse with three legs, the weather. In order to tackle them successfully one
SWANS
(Copyright, Autotype Co.) from the photograph by Charles reid
33°