Studio- Talk
INTERIOR OF DALMATIAN ART EXHIBITION AT SPALATO
besides of a good quality. Among thz genre painters
a new one, Franz Windhager, of whom much may
be hoped, made his first entrance before the Vienna
public • his one picture Beim Heurigen is a breezy
vista of life in the Vienna forests, and is well
painted. O. Ruzicka exhibited some of his scenes
from Moravia. Otto Herschel’s lovely old-world
studies of delicate draperies and subtle harmonies
are always welcome. His Mother and Daughter
and the half-nude figure of a young girl seen
through a looking - glass
showed marked advance
on his previous work. Frau-
lein Elsa Eder’s Group of
Azaleas and Fraulein E.
Laske’s Study in Oils are
also worthy of mention.
PALATO, DAL-
MATIA.—At the
dose of last year
was held the first
Dalmatian Art Exhibition.
All Dalmatian artists, no
matter where they might
be living, took part in it,
and in spite of the early scepticism felt as to the
success of the venture, everybody was delighted
with the display, which met with unstinted praise
and applause. The Ministerium fur Kultus und
Unterricht in Vienna, the Governor of Dalmatia,
and many private persons purchased the exhibited
works of art. From this point of view the success
could hardly have been better ; nor was the artistic
success a trifling one. Bukovac, Vidovic, Mestrovic,
Deskovic were represented by works which would
Emperor, seated, is another
tribute to the progress in
the art of Vienna ceramic
making. F. Gornik showed
some excellent bronzes. A
strong and vigorous piece
of work was F. Zelezny’s
carved ebony figure of a
steer; and some excellent
medals were shown by
Hans Schaefer. A. S. L.
In the plastic section,
place must first be given
to the guests, De Brema-
ecker (Brussels), Adele
Paasch and Josef Limburg
of Berlin, who all showed
interesting work. Paul E.
Fiedler’s bust of the com-
poser Bela Laszky; Albert
Schloss’s bust of a child;
Melanie von Horsetzky’s
bust of a young lady ; and
Hugo Taglang’s bust of a
child were other items of
interest. Fritz Weghaupt’s
porcelain figure of the
162
THE OLD CHURCH ”
BY EMANUEL VIDOVIC
INTERIOR OF DALMATIAN ART EXHIBITION AT SPALATO
besides of a good quality. Among thz genre painters
a new one, Franz Windhager, of whom much may
be hoped, made his first entrance before the Vienna
public • his one picture Beim Heurigen is a breezy
vista of life in the Vienna forests, and is well
painted. O. Ruzicka exhibited some of his scenes
from Moravia. Otto Herschel’s lovely old-world
studies of delicate draperies and subtle harmonies
are always welcome. His Mother and Daughter
and the half-nude figure of a young girl seen
through a looking - glass
showed marked advance
on his previous work. Frau-
lein Elsa Eder’s Group of
Azaleas and Fraulein E.
Laske’s Study in Oils are
also worthy of mention.
PALATO, DAL-
MATIA.—At the
dose of last year
was held the first
Dalmatian Art Exhibition.
All Dalmatian artists, no
matter where they might
be living, took part in it,
and in spite of the early scepticism felt as to the
success of the venture, everybody was delighted
with the display, which met with unstinted praise
and applause. The Ministerium fur Kultus und
Unterricht in Vienna, the Governor of Dalmatia,
and many private persons purchased the exhibited
works of art. From this point of view the success
could hardly have been better ; nor was the artistic
success a trifling one. Bukovac, Vidovic, Mestrovic,
Deskovic were represented by works which would
Emperor, seated, is another
tribute to the progress in
the art of Vienna ceramic
making. F. Gornik showed
some excellent bronzes. A
strong and vigorous piece
of work was F. Zelezny’s
carved ebony figure of a
steer; and some excellent
medals were shown by
Hans Schaefer. A. S. L.
In the plastic section,
place must first be given
to the guests, De Brema-
ecker (Brussels), Adele
Paasch and Josef Limburg
of Berlin, who all showed
interesting work. Paul E.
Fiedler’s bust of the com-
poser Bela Laszky; Albert
Schloss’s bust of a child;
Melanie von Horsetzky’s
bust of a young lady ; and
Hugo Taglang’s bust of a
child were other items of
interest. Fritz Weghaupt’s
porcelain figure of the
162
THE OLD CHURCH ”
BY EMANUEL VIDOVIC