DOI issue:
Nr. 219 (June 1911)
DOI article:Studio-talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.20973#0090
Studio- Talk
selection of Pastels of Italy, the Riviera, Switzer- whose members adopt the principle of the Japanese
land, and Scotland by M. Simon Bussy. Mr. water-colour woodcut, and the art also of printing
Bussy's use of pastel is a very personal one, and from metal plates as practised by Le Prince in
governed by an essentially decorative motif. Many France, have brought together an exhibition of
of his pictures are intensely poetic in feeling, and his unusual interest at Messrs. Manzi, Joyant and
sense of colour is at all times of the highest order. Co.'s Gallery, Bedford Street. The authors of the
But there is some lack of elasticity in regard to prints exhibited carry out individually the whole of
style, so that in some instances the changes of the process, designing, engraving, and printing,
scene represented are not to be followed without -
careful reference to the catalogue ; neither is this We are reproducing a painting of Blue Finches
without its effect on the exhibition, conducing as it done on silk bY Kwason Suzuki—a Japanese Edwin
does to an unusual monotony when a number of Alexander we might call him, to define the
these pastels are seen together. character of his reputation in his own country.
_ The painter has not visited England, but the
An exhibition of interest which took place last examples of his work that have reached this country
month was Days and Nights in August, by Rupert have been much appreciated.
Bunny, at the Baillie Gallery, a series of oil panels
of considerable verve of execution representing f > LASGOW—The early months of the
impressions of well-dressed figures in interior and f >'ear have again been notable for a
outdoor scenes in which the problem for clever % ' series of interesting one-man shows,
manipulation of paint seems to have been the motif. ^--* amongst them an exhibition of the art
- of William Wells, R.B.A., now looked upon as an
The Society of Graver-Printers in Colour, annual institution in the art affairs of the city. In
: the yard, bai.i.avayre " (By permission of A. Hedderwick, Esq.) by william wells, r.b.a.
70
selection of Pastels of Italy, the Riviera, Switzer- whose members adopt the principle of the Japanese
land, and Scotland by M. Simon Bussy. Mr. water-colour woodcut, and the art also of printing
Bussy's use of pastel is a very personal one, and from metal plates as practised by Le Prince in
governed by an essentially decorative motif. Many France, have brought together an exhibition of
of his pictures are intensely poetic in feeling, and his unusual interest at Messrs. Manzi, Joyant and
sense of colour is at all times of the highest order. Co.'s Gallery, Bedford Street. The authors of the
But there is some lack of elasticity in regard to prints exhibited carry out individually the whole of
style, so that in some instances the changes of the process, designing, engraving, and printing,
scene represented are not to be followed without -
careful reference to the catalogue ; neither is this We are reproducing a painting of Blue Finches
without its effect on the exhibition, conducing as it done on silk bY Kwason Suzuki—a Japanese Edwin
does to an unusual monotony when a number of Alexander we might call him, to define the
these pastels are seen together. character of his reputation in his own country.
_ The painter has not visited England, but the
An exhibition of interest which took place last examples of his work that have reached this country
month was Days and Nights in August, by Rupert have been much appreciated.
Bunny, at the Baillie Gallery, a series of oil panels
of considerable verve of execution representing f > LASGOW—The early months of the
impressions of well-dressed figures in interior and f >'ear have again been notable for a
outdoor scenes in which the problem for clever % ' series of interesting one-man shows,
manipulation of paint seems to have been the motif. ^--* amongst them an exhibition of the art
- of William Wells, R.B.A., now looked upon as an
The Society of Graver-Printers in Colour, annual institution in the art affairs of the city. In
: the yard, bai.i.avayre " (By permission of A. Hedderwick, Esq.) by william wells, r.b.a.
70