DOI Heft:
Nr. 221 (August 1911)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.20973#0245
Studio-Talk
Archibald J. Davies 01
the Bromsgrove Guild,
and we now supplement
these by another equally
interesting example.
The Pastel Society's
Exhibition at the Gal-
leries of the Royal
Institute was as success-
ful as ever as a picture
exhibition, but in the
majority of cases pastel
CORONATION MEDAL ISSUED BY THE ROYAL MINT wag on]y usecJ Jn rivalrV
DESIGNED BY BERTRAM MACKENNAL, A.R.A. " /
. with—that is, to attain
the same effect as—oil
STUDIO-TALK or water-colours. That a picture should prove to
have been done in pastel upon near examination
(From Our Own Correspondents.) ig ^ enQugh . tfae {me pastellist shows b pastei
ONDON.—The medal struck by the Royal something that no other medium can show, and of
Mint in commemoration of the corona- such efforts a pastel exhibition should consist,
tion of their Majesties King George V. Mr. Terrick Williams's A Sunlit Harbour, Miss
-J and Queen Mary has no doubt by this Florence Small's On the Sofa, Mr. George
time found its way into many collections, but for Sheringham's The Fountain, Mr. Henry Fullwood's
the sake of those who have not already seen it we A Spring Song, Mr. Reginald Jones's Kensington
give above a reproduction of it. Gardens, Mr. T. W. Hammond's Bait Gatherers,
-- Mr. John Charlton's English Wild Bull, Mr. J.
The plaque in repousse copper and enamels by McLure Hamilton's sketches, Mr. R. Gwelo
Mr. J. W. Wilkinson, which we
reproduce below, is an instance
of triumph in adapting to design
natural forms with very little
modification: pattern surviving
side by side with a realism that
except in expert hands is fatal to
pattern.
r
Mr. Frank J. Jones, of whose
wood-carving we give two illus-
trations on the opposite page,
tells us that the work was done
as a recreation in his leisure time.
He has had but few oppor-
tunities of obtaining instruction
in this branch of work, and in
fact his teaching has been chiefly
through the pages of The Studio.
Besides designing the carving of
the altar table and retable he
executed the whole of the wood-
work.
We gave recently two examples plaque in repousse copper and enamels
of stained glass designed by Mr. designed and executed by j. w. wilkinson
224
Archibald J. Davies 01
the Bromsgrove Guild,
and we now supplement
these by another equally
interesting example.
The Pastel Society's
Exhibition at the Gal-
leries of the Royal
Institute was as success-
ful as ever as a picture
exhibition, but in the
majority of cases pastel
CORONATION MEDAL ISSUED BY THE ROYAL MINT wag on]y usecJ Jn rivalrV
DESIGNED BY BERTRAM MACKENNAL, A.R.A. " /
. with—that is, to attain
the same effect as—oil
STUDIO-TALK or water-colours. That a picture should prove to
have been done in pastel upon near examination
(From Our Own Correspondents.) ig ^ enQugh . tfae {me pastellist shows b pastei
ONDON.—The medal struck by the Royal something that no other medium can show, and of
Mint in commemoration of the corona- such efforts a pastel exhibition should consist,
tion of their Majesties King George V. Mr. Terrick Williams's A Sunlit Harbour, Miss
-J and Queen Mary has no doubt by this Florence Small's On the Sofa, Mr. George
time found its way into many collections, but for Sheringham's The Fountain, Mr. Henry Fullwood's
the sake of those who have not already seen it we A Spring Song, Mr. Reginald Jones's Kensington
give above a reproduction of it. Gardens, Mr. T. W. Hammond's Bait Gatherers,
-- Mr. John Charlton's English Wild Bull, Mr. J.
The plaque in repousse copper and enamels by McLure Hamilton's sketches, Mr. R. Gwelo
Mr. J. W. Wilkinson, which we
reproduce below, is an instance
of triumph in adapting to design
natural forms with very little
modification: pattern surviving
side by side with a realism that
except in expert hands is fatal to
pattern.
r
Mr. Frank J. Jones, of whose
wood-carving we give two illus-
trations on the opposite page,
tells us that the work was done
as a recreation in his leisure time.
He has had but few oppor-
tunities of obtaining instruction
in this branch of work, and in
fact his teaching has been chiefly
through the pages of The Studio.
Besides designing the carving of
the altar table and retable he
executed the whole of the wood-
work.
We gave recently two examples plaque in repousse copper and enamels
of stained glass designed by Mr. designed and executed by j. w. wilkinson
224