DOI Heft:
Nr. 219 (June 1911)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.20973#0101
Studio-Talk
tion in the freshness and delicacy of this marble ; of himself by Gaetano Esposito, the melancholy
the hair, the smile, the expression and the soft painter who committed suicide at Salerno a few
roundness of the modelling seem to represent the weeks ago, complete the list of works worthy of
very incarnation of ripe womanhood. Of different mention. C. M.
though no less charm is a head, by the same artist,
of an elderly lady in which the sad and somewhat "1 "V ERLIN.—An artist whose works afforded
weary look harmonises agreeably with the maturer I 3 great pleasure at Schulte's Salon recently
cast of features. In complete contrast to these ^\ is Prof. Robert von Haug of Stuttgart,
two busts of women is Cifariello's bust in bronze of J—J He is the painter of battle-scenes, and
Commendatore di Scanno, a work full of indi- finds no difficulty in dealing with masses and in
viduality which reveals the sculptor's depth of individualisation, but as he prefers smaller can-
insight and great gift of expressing the personality vases, his art tends towards the genre. This im-
of his sitters. pression is strengthened by his predilection for an
old-world atmosphere. His draughtmanship is
Among the paintings representative of tthe older careful and he loves a fine greyish key for his
and better known Neapolitan artists, An Arab, by scenes.—The landscapes by Richard Pietzsch, alsc
Vincenzo Volpe, and a clever nude study of a shown at Schulte's, should not be overlooked for
woman by De Sanctis, are particularly pleasing, energetic grasp of subject and strong feeling for
Vincenzo Caprile, the
painter of Neapolitan
scenes, gives a vivid glimpse
of life in the lower quarter
of the city. Vincenzo
Migliaro also contributes a
street scene, in which the
effects of light and shade are
very cleverly and daringly
treated. Giuseppe Casciaro
exhibits two beautiful land-
scapes; this artist, so
thoroughly individual and
original in his manner of
interpreting nature, is the
founder of quite a " genre "
in painting, and the exhi-
bition abounds with the
weak imitations of young
artists eagerly striving to
copy his style.
Among the portraits,
those of the Princess di
Candriano and Signorina
Nora Ruffo di Gnardialom-
bardo by Carlo Siviero,
quite a young artist, are
worthy of special praise,
although too great a
striving towards severity
perhaps renders the latter a
trifle harsh. Two heads by
Mancini, a pastel and an
engraving by G. A. Sartorio,
a seascape and a portrait " mme vera lourian " by filippo cifariello
81
It
tion in the freshness and delicacy of this marble ; of himself by Gaetano Esposito, the melancholy
the hair, the smile, the expression and the soft painter who committed suicide at Salerno a few
roundness of the modelling seem to represent the weeks ago, complete the list of works worthy of
very incarnation of ripe womanhood. Of different mention. C. M.
though no less charm is a head, by the same artist,
of an elderly lady in which the sad and somewhat "1 "V ERLIN.—An artist whose works afforded
weary look harmonises agreeably with the maturer I 3 great pleasure at Schulte's Salon recently
cast of features. In complete contrast to these ^\ is Prof. Robert von Haug of Stuttgart,
two busts of women is Cifariello's bust in bronze of J—J He is the painter of battle-scenes, and
Commendatore di Scanno, a work full of indi- finds no difficulty in dealing with masses and in
viduality which reveals the sculptor's depth of individualisation, but as he prefers smaller can-
insight and great gift of expressing the personality vases, his art tends towards the genre. This im-
of his sitters. pression is strengthened by his predilection for an
old-world atmosphere. His draughtmanship is
Among the paintings representative of tthe older careful and he loves a fine greyish key for his
and better known Neapolitan artists, An Arab, by scenes.—The landscapes by Richard Pietzsch, alsc
Vincenzo Volpe, and a clever nude study of a shown at Schulte's, should not be overlooked for
woman by De Sanctis, are particularly pleasing, energetic grasp of subject and strong feeling for
Vincenzo Caprile, the
painter of Neapolitan
scenes, gives a vivid glimpse
of life in the lower quarter
of the city. Vincenzo
Migliaro also contributes a
street scene, in which the
effects of light and shade are
very cleverly and daringly
treated. Giuseppe Casciaro
exhibits two beautiful land-
scapes; this artist, so
thoroughly individual and
original in his manner of
interpreting nature, is the
founder of quite a " genre "
in painting, and the exhi-
bition abounds with the
weak imitations of young
artists eagerly striving to
copy his style.
Among the portraits,
those of the Princess di
Candriano and Signorina
Nora Ruffo di Gnardialom-
bardo by Carlo Siviero,
quite a young artist, are
worthy of special praise,
although too great a
striving towards severity
perhaps renders the latter a
trifle harsh. Two heads by
Mancini, a pastel and an
engraving by G. A. Sartorio,
a seascape and a portrait " mme vera lourian " by filippo cifariello
81
It