DOI issue:
Nr. 220 (July 1911)
DOI article:Studio-talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.20973#0189
Studio-Talk
I SCENERY ON LAKE BIWA BY NOMURA BUNKYO
TOKYO.—The Japanese art world suffered Japanese and Chinese artists, and died suddenly
a great loss by the recent death of the following morning from congestion of the brain,
Nomura Bunkyo, who was considered leaving his pictures unfinished. Thus his last
the greatest exponent of the Shiokawa effort was on a landscape painting, in which subject
style of painting, which belongs to the Maruyama he excelled. Horai-zan was the title of a picture
school founded by Okyo. He had been working he presented to the Crown Prince of Japan at the
until late one evening on a pair of scrolls (tsuifukii) time when he was a pupil at the Peers' School,
of Horai-zan, a favourite landscape subject for where Bunkyo was teaching. This painting gained
' SPRING BY NOMURA BUNKYO
168
I SCENERY ON LAKE BIWA BY NOMURA BUNKYO
TOKYO.—The Japanese art world suffered Japanese and Chinese artists, and died suddenly
a great loss by the recent death of the following morning from congestion of the brain,
Nomura Bunkyo, who was considered leaving his pictures unfinished. Thus his last
the greatest exponent of the Shiokawa effort was on a landscape painting, in which subject
style of painting, which belongs to the Maruyama he excelled. Horai-zan was the title of a picture
school founded by Okyo. He had been working he presented to the Crown Prince of Japan at the
until late one evening on a pair of scrolls (tsuifukii) time when he was a pupil at the Peers' School,
of Horai-zan, a favourite landscape subject for where Bunkyo was teaching. This painting gained
' SPRING BY NOMURA BUNKYO
168