DOI Heft:
Nr. 222 (September 1911)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.20973#0338
Studio- Talk
Day, the scene being taken from the Tatra forests. Vidovszky, Bela Erdossy, and Sandor Papp were
The magnificent forms of the mighty beeches and all well represented.
the fine, sombre colouring characteristic of these -
forests are rendered with a vigour and breadth which One of the attractions of the exhibition was an
justify one in calling this picture a masterpiece of interesting piece of animal painting by Arthur Heyer,
its kind. Andor Dudits sent some mystic landscapes who in his Surprise has shown both understand-
depicted in delicate tones and with a fine view to ing and imagination. The subject is the familiar
decorative effect. Viktor Olgyai, whose works are one of a cat about to spring upon a mouse, every
well known to readers of this magazine, showed some hair bristling with joy for the coming feast, and is
fine landscapes in pastel, the motives being the early rendered with remarkable power ; even the fear of
spring. His work is always interesting and lingers the poor little victim is perceptible. The treatment
long in the memory. His silhouettes of dreamy of the light is well carried out, for the chief figures are
pine-trees are poetic conceptions always revealing thereby thrown into relief, and the drawing shows
new beauties. Edvi Hies seeks his motives in the that the artist has been well schooled in this nowa-
confines of Hungary, where he finds those bushy days much neglected factor. I must also mention
trees and deep black waters of which he is some wharf scenes by Hugo Poll, which showed
enamoured, or in those strictly Hungarian villages that he is a good observer and understandsjiis
which are as yet untouched by the march of civili- subject,
sation. In rendering such themes he is very
felicitous. Robert Nadler likewise contributed some There were but few portraits, and it suffices to
bits of Hungarian landscape
rendered with his own indi-
vidual charm.
Molnar Pentelei's studies
of still-life present many ad-
mirable points. His treat-
ment of a number of glass
flasks was remarkable for its
simplicity and the ease with
which he has rendered the
transparency of the water;
while the Cup of Coffee, a
study in blue and gold,
showed a keen eye for de-
corative effect and a certain
artless elegance of arrange-
ment in the colour-scheme.
His best efforts were, how-
ever, shown in his treatment
of flowers, which are thought-
ful and sincere and exceed-
ingly happy in arrangement
and colouring. But whatever
his subject may be—he sent
also a painting of a male
torso—this artist's methods
are always essentially charac-
teristic, while his colouristic
effects seen in his Interior
and other works here exhi-
bited are invariably interest-
ing. Cezar Kunwald, Szekely
Katona, Bertalan Papp, Bela portrait ok a lady by gyula clatter
317
Day, the scene being taken from the Tatra forests. Vidovszky, Bela Erdossy, and Sandor Papp were
The magnificent forms of the mighty beeches and all well represented.
the fine, sombre colouring characteristic of these -
forests are rendered with a vigour and breadth which One of the attractions of the exhibition was an
justify one in calling this picture a masterpiece of interesting piece of animal painting by Arthur Heyer,
its kind. Andor Dudits sent some mystic landscapes who in his Surprise has shown both understand-
depicted in delicate tones and with a fine view to ing and imagination. The subject is the familiar
decorative effect. Viktor Olgyai, whose works are one of a cat about to spring upon a mouse, every
well known to readers of this magazine, showed some hair bristling with joy for the coming feast, and is
fine landscapes in pastel, the motives being the early rendered with remarkable power ; even the fear of
spring. His work is always interesting and lingers the poor little victim is perceptible. The treatment
long in the memory. His silhouettes of dreamy of the light is well carried out, for the chief figures are
pine-trees are poetic conceptions always revealing thereby thrown into relief, and the drawing shows
new beauties. Edvi Hies seeks his motives in the that the artist has been well schooled in this nowa-
confines of Hungary, where he finds those bushy days much neglected factor. I must also mention
trees and deep black waters of which he is some wharf scenes by Hugo Poll, which showed
enamoured, or in those strictly Hungarian villages that he is a good observer and understandsjiis
which are as yet untouched by the march of civili- subject,
sation. In rendering such themes he is very
felicitous. Robert Nadler likewise contributed some There were but few portraits, and it suffices to
bits of Hungarian landscape
rendered with his own indi-
vidual charm.
Molnar Pentelei's studies
of still-life present many ad-
mirable points. His treat-
ment of a number of glass
flasks was remarkable for its
simplicity and the ease with
which he has rendered the
transparency of the water;
while the Cup of Coffee, a
study in blue and gold,
showed a keen eye for de-
corative effect and a certain
artless elegance of arrange-
ment in the colour-scheme.
His best efforts were, how-
ever, shown in his treatment
of flowers, which are thought-
ful and sincere and exceed-
ingly happy in arrangement
and colouring. But whatever
his subject may be—he sent
also a painting of a male
torso—this artist's methods
are always essentially charac-
teristic, while his colouristic
effects seen in his Interior
and other works here exhi-
bited are invariably interest-
ing. Cezar Kunwald, Szekely
Katona, Bertalan Papp, Bela portrait ok a lady by gyula clatter
317