DOI Heft:
Nr. 222 (September 1911)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.20973#0350
Studio-Talk
"the friends" (National Museum, Stockholm) by hanna pauli
Brockhusen and Rosier had closely studied TOCKHOLM.—In my last Studio-Talk I
Van Gogh and Cezanne. Pottner paints the referred to two among the numerous art
^1 e
members of the chanticleer world with so much j exhibitions which have been held in
delight in their bearing and plumage that we were V—* Stockholm during the early months of
able to comprehend his mastery in the ceramic this year. There remain two or three more of
rendition, and the exhibits of Joseph Oppenheimer, enough importance to be spoken of here. The
Baluschek, von Kardorf, Rhein, Bach, Bischof- most academic of all our art societies is "The
Kulm, Treuman, Bondy, S. Lepsius, Kalkreuth, Society of Swedish Artists." That is a known
and Klemm also revealed a good measure of fact, though one cannot always see it at their
merit. Among the young men Hans Meid once exhibitions. This society arranged its exhibition
more attracted attention by a peculiar kind of this year in the " Konstnarshus," and, as many
romanticism. times before, the landscapes of Gottfrid Kallstenius
were the most prominent features of the show.
Some notable achievements were to be studied An August Bay (p. 328) was perhaps his best
in the domain of sculpture. Richard Engelmann picture here, a copper-red cliff against a strong
sent a monumental female nude, The Sleeper, blue sea. A small study, Clouds, also showed all
a park decoration in utmost simplification of the best qualities of Kallstenius's manly, unaffected
recumbent line which perfectly combines grace and art, of which good examples were sent to the
power. Klimsch, Kruse, and von Gosen—the two Swedish Exhibition in Brighton. Four other talented
latter in wood sculpture—excelled in individual landscape painters who were also well represented
portraiture, Nicolaus Friedrich in dramatic action, at the Brighton show are Knut Borgh—to whose
and A. Oppler in expressive delineation of the intensely lyrical studies of trees reference has been
female body. J. J. made several times in The Studio; Hugo Carlberg,
329
"the friends" (National Museum, Stockholm) by hanna pauli
Brockhusen and Rosier had closely studied TOCKHOLM.—In my last Studio-Talk I
Van Gogh and Cezanne. Pottner paints the referred to two among the numerous art
^1 e
members of the chanticleer world with so much j exhibitions which have been held in
delight in their bearing and plumage that we were V—* Stockholm during the early months of
able to comprehend his mastery in the ceramic this year. There remain two or three more of
rendition, and the exhibits of Joseph Oppenheimer, enough importance to be spoken of here. The
Baluschek, von Kardorf, Rhein, Bach, Bischof- most academic of all our art societies is "The
Kulm, Treuman, Bondy, S. Lepsius, Kalkreuth, Society of Swedish Artists." That is a known
and Klemm also revealed a good measure of fact, though one cannot always see it at their
merit. Among the young men Hans Meid once exhibitions. This society arranged its exhibition
more attracted attention by a peculiar kind of this year in the " Konstnarshus," and, as many
romanticism. times before, the landscapes of Gottfrid Kallstenius
were the most prominent features of the show.
Some notable achievements were to be studied An August Bay (p. 328) was perhaps his best
in the domain of sculpture. Richard Engelmann picture here, a copper-red cliff against a strong
sent a monumental female nude, The Sleeper, blue sea. A small study, Clouds, also showed all
a park decoration in utmost simplification of the best qualities of Kallstenius's manly, unaffected
recumbent line which perfectly combines grace and art, of which good examples were sent to the
power. Klimsch, Kruse, and von Gosen—the two Swedish Exhibition in Brighton. Four other talented
latter in wood sculpture—excelled in individual landscape painters who were also well represented
portraiture, Nicolaus Friedrich in dramatic action, at the Brighton show are Knut Borgh—to whose
and A. Oppler in expressive delineation of the intensely lyrical studies of trees reference has been
female body. J. J. made several times in The Studio; Hugo Carlberg,
329