Studio: international art (54.1912)

Studio- Talk

Air, by C. H. Hewitt; Looe Hai-bour,
by C. H. L. Emanuel; Bahnhof in
Winter, by H. Oesterreich; Reve?-ie
d'une Jeune Fille, by Thomas Petty ;
The Sun M'aiden, by W. Harold
House ; Refreshing Moments, by J.
B. B. Wellington ; Study of Trees, by
Mrs. Minna Keene; Baby Study, by
Marcus Adams; Saltburn Sands, by
J. C. Warburg; A Day in June,
by F. J. Mortimer; and Chartres
Cathedral (A Bay of the North
Porch), by Frederick H. Evans.

E

^ DINBURGH.—About a
couple of years ago Mr. T.
Duncan Rhind exhibited a
pen-and-ink drawing of
Melrose Abbe)' at an exhibition in
„ the club-house of work by members

"serap1s faience vase. designed by karl klaus, executed '

by ernst wahliss of the Scottish Arts Club. The

drawing elicited warm commendation
upon, say, the art of etching. That is putting the from some members of the Royal Scottish Academy,
point a little boldly, but the necessary thing is who advised Mr. Rhind to turn his attention to
that just at this moment when photography is etching. An architect by profession and a very
realising its possibilities it
should be put. In regard to
composition alone, there are
within the range of photography
many aspects and points of
view which are practically im-
possible to any other art, and
we were glad to see many artists
in this exhibition taking ad-
vantage of this fact, and creating
for us a conception of com-
position as individual and
characteristic of the medium
employed as the Impressionists
of France created for their style
of painting. Among the most
interesting prints in the exhi-
bition wrere the following : The
Terrace Garden, by A. H. Blake;
Winter Landscape, Finse,
Norway, by Will. A. Cadby;
The Muerte, Notre Dame de
Paris, and The Rhinoceros, by
P. Dubreuil; Repai?-ing Win-
chester Cathedral, and Amboise,
by C. David Kay; Evening in
the Harbour, by E. T. Holding ;
The Dyke Bridge, by H. F.

. " serapis faience vase. designed by karl klauss, executed by

Franzmann; Tea i?i the Open ernst wahliss

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