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Studio: international art — 54.1912

DOI issue:
No. 226 (January 1912)
DOI article:
Studio-talk
DOI Page / Citation link: 
https://doi.org/10.11588/diglit.21155#0338

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Studio-Talk

occasion in our review columns referred to the
work of Mr. Willy Pogany, a young Hungarian
artist who has been settled in London during the
past few years and whose services have been
enlisted by several publishers for the decoration
and illustration of books published by them. The
drawings we here reproduce were executed for an
edition of "The Ancient Mariner," and we are
indebted to Messrs. Harrap and Co. for permission
to use them. Mr. Pogany is of a highly imagina-
tive turn of mind and the decorative feeling in him
is unusually developed. It is interesting to note
that he has had practically no school training.

At the Fine Art Society's
Galleries Colonel R. Goff has
been exhibiting a series of
etchings and also water-colours
of Venice, Tuscany and Eng-
land. Col. Goff is perhaps
better known by his exquisite
etchings than by his work in
water-colour, but his style in
this medium has the same
vivacity and charm that charac-
terise his plates. At the same
Gallery Mr. Bernard Harrison's
landscapes of Northern Italy
were notable in their breadth of
treatment and high quality of
colour. Two examples of Mr.
Harrison's work were repro-
duced in a recent number of
The Studio.

At the Walker Gallery Mr. Lee Hankey has
been exhibiting the remarkable series of etchings

ILLUSTRATIONS TO "THE ANCIENT MARINER " BY WILLY POGANY

We have on more than one (By permission of Messrs. G. u. Harrap and Co.)

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