DOI Heft:
No. 240 (March 1913)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.21160#0162
Studio- Talk
"promenade a la mode" (Leicester Galleries) by emma ciardi
effects of the kind his work reveals a beautiful accounted one of the most perfect specimens 01
austerity of intention. This latter is very evident the master's art. The two portraits by Sargent,
in some of his drawings and also in the painting Mrs. Adolf Hirsch and Robert Mathias, Esq.,
Glaramara, with its blue belt of wooded hills are thoroughly typical of the power by which
against the sky.__ his art has proved such a potent influence
with the rising generation of painters. The
The National Portrait Society's exhibition at extreme vitality of Mr. Connard's paintings,
the Grosvenor Gallery, which is open until the end I Cromwell Gardens and Hele?i Connard, in the
of this month, has effectively counteracted the present exhibition, the highly disciplined skill of
pessimism in regard to the art of painting which Mr. Orpen, who has never revealed the wealth of
threatened to become the fashion in this country, his resources so well as in his various paintings
The Society has refrained from giving an exhibition here, the exactness of the tone valuation in the
for two years, and it now gives it in its new home paintings of Mr. Pryde and Mr. Nicholson, and the
under circumstances which throw into relief the sensitiveness of the touch of Mr. Gerald Kelly—in
qualities and refinements in modern skill which all these cases much more is owed than is outwardly
conditions -of modern exhi-
bitions, as a rule, tend by
their unsympathetic nature
to obscure. The Society
wisely reserves to itself the
right of exhibiting, as of
documentary interest to
students or as a courtesy to
distinguished European
painters, occasional foreign
work which is relevant to
its own intentions. The
painting by Penoir, La
Parisienne, in the present
exhibition was originally ex-
hibited at the epoch-making
Impressionist Exhibition
in Paris in 1874, and
was brought to England
but recently from the
famous Rouart sale. It is "the lovely lagoon" (Leicester Galleries) by emma ciardi
139
"promenade a la mode" (Leicester Galleries) by emma ciardi
effects of the kind his work reveals a beautiful accounted one of the most perfect specimens 01
austerity of intention. This latter is very evident the master's art. The two portraits by Sargent,
in some of his drawings and also in the painting Mrs. Adolf Hirsch and Robert Mathias, Esq.,
Glaramara, with its blue belt of wooded hills are thoroughly typical of the power by which
against the sky.__ his art has proved such a potent influence
with the rising generation of painters. The
The National Portrait Society's exhibition at extreme vitality of Mr. Connard's paintings,
the Grosvenor Gallery, which is open until the end I Cromwell Gardens and Hele?i Connard, in the
of this month, has effectively counteracted the present exhibition, the highly disciplined skill of
pessimism in regard to the art of painting which Mr. Orpen, who has never revealed the wealth of
threatened to become the fashion in this country, his resources so well as in his various paintings
The Society has refrained from giving an exhibition here, the exactness of the tone valuation in the
for two years, and it now gives it in its new home paintings of Mr. Pryde and Mr. Nicholson, and the
under circumstances which throw into relief the sensitiveness of the touch of Mr. Gerald Kelly—in
qualities and refinements in modern skill which all these cases much more is owed than is outwardly
conditions -of modern exhi-
bitions, as a rule, tend by
their unsympathetic nature
to obscure. The Society
wisely reserves to itself the
right of exhibiting, as of
documentary interest to
students or as a courtesy to
distinguished European
painters, occasional foreign
work which is relevant to
its own intentions. The
painting by Penoir, La
Parisienne, in the present
exhibition was originally ex-
hibited at the epoch-making
Impressionist Exhibition
in Paris in 1874, and
was brought to England
but recently from the
famous Rouart sale. It is "the lovely lagoon" (Leicester Galleries) by emma ciardi
139