Studio: international art (58.1913)

Studio- Talk

"goose maidens"

contributors of works worthy of notice were Emil
Pap, L. Kezdi-Kovacs, Samu Bortsok, Victor
Olgyai, whose pastels showed imaginative power and
delicacy in colouring, Arpad Juhasz, whose draw-
ings have a fine sentiment and pictorial expression,
and that distinguished artist A. Kriesch-Korosfoi.

Comparatively little sculpture was exhibited,
and only a small proportion even of that was
of fairly high order. Istvan Szentgyorgyi's small
bronzes were delightful in grace of modelling, and
Ference Sidlo's figures showed dramatic force.
Odon Moiret, a promising young sculptor of
singular strength, and Geza Horvath, who showed
a bust of a young boy, should also be mentioned,
as should some capital medals and plaquettes by
Josef Remenyi. A. S. L.

DARMSTADT.—Plans are on foot for
holding in this city during the summer
of next year a large and important
exhibition of German art from 1650 to
1800. In the promotion of this " Allgemeine
150

by oskar glatz

Deutsche Retrospective Kunst-Ausstellung" the
Grand Duke of Hesse has taken the initiative, and
the arrangements for the exhibition, which is to be
held in a portion of the old Royal Palace, have
been entrusted by him to Prof. G. Biermann,
artistic adviser to the Grand Duke, and to Coun-
cillors Hermann and Theobald Heinemann, pro-
prietors of the well-known galleries in Munich
bearing their name. The period to which the
exhibition is to be consecrated, extending from the
close of the Thirty Years War, which wrought such
devastation throughout Germany, to the Napoleonic
era, is one that has been almost wholly neglected
by the historians of art, but it is believed that next
year's display will show that much of the work
done therein is entirely worthy of being resuscitated.

T. W.

BERLIN. —Comprehensive "one-man"
shows ushered in the new year. The
Royal Academy honoured Hertel, Less-
ing, and Wallot with special exhibitions.
That of Albert Hertel, the landscape and still-life

(Budapest Academy)