DOI issue:
No. 242 (May 1913)
DOI article:Studio-talk
DOI Page / Citation link: https://doi.org/10.11588/diglit.21160#0345
Studio- Talk
the Mirk, and "some small canvases by Mr. Sheard ter should be in her painting. Her exhibition was
are the most interesting features. very well hung and we have not seen the Post-
- Impressionist aims which she avows presented so-
Miss Sylvia Gosse is an artist who uses the advantageously in any similar exhibition,
pencil with great delicacy and whose drawings have -
the peculiar fascination which so often belongs to Lovers of Turner's water-colours, and they are-
the realism of imaginative artists when they prefer legion, should not miss seeing the magnificent,
realistic subjects to what are generally called collection of over one hundred drawings now on
imaginative ones. Miss Gosse has lately shown a view at Messrs. Agnew's galleries, 43 Old Bond
collection of her pencil drawings with some litho- Street, in aid of the Artists' General Benevolent
graphs and etchings at the Carfax Gallery. Institution. Here are to be seen many of the-
- master's finest works executed in the medium in
At the Baillie Gallery exhibitions of Mr. Arthur which his art found its most perfect expression.
Streeton's work and that of Miss Estelle Rice have It is impossible to consider here in detail the-
recently been held. Mr. Streeton exhibited bold numerous superb drawings in this notable exhibi-
and direct impressions controlled by a highly tion. They include such glorious and well-known-
conscious regard for decorative composition. The masterpieces as The Red Rigi, The Bhie Rigi,
artist has the traveller's gift of appreciating to the Splugen Pass, Crook of the Lwie, and several of the-
full differences in the character of landscape in the Farnley Hall drawings, many of which appeared in
scenes which he depicts in various parts of Europe, the volume on that collection published by The
Miss Rice makes everything in nature conform Studio last year. Among the earlier works being
to a fine conception of what its colour and charac- shown at Messrs. Agnew's The Archbishop's Palace,.
" Windsor cas'ILE " (See Paris Studio-Talk, p. 324) by george oberteuffer
322
the Mirk, and "some small canvases by Mr. Sheard ter should be in her painting. Her exhibition was
are the most interesting features. very well hung and we have not seen the Post-
- Impressionist aims which she avows presented so-
Miss Sylvia Gosse is an artist who uses the advantageously in any similar exhibition,
pencil with great delicacy and whose drawings have -
the peculiar fascination which so often belongs to Lovers of Turner's water-colours, and they are-
the realism of imaginative artists when they prefer legion, should not miss seeing the magnificent,
realistic subjects to what are generally called collection of over one hundred drawings now on
imaginative ones. Miss Gosse has lately shown a view at Messrs. Agnew's galleries, 43 Old Bond
collection of her pencil drawings with some litho- Street, in aid of the Artists' General Benevolent
graphs and etchings at the Carfax Gallery. Institution. Here are to be seen many of the-
- master's finest works executed in the medium in
At the Baillie Gallery exhibitions of Mr. Arthur which his art found its most perfect expression.
Streeton's work and that of Miss Estelle Rice have It is impossible to consider here in detail the-
recently been held. Mr. Streeton exhibited bold numerous superb drawings in this notable exhibi-
and direct impressions controlled by a highly tion. They include such glorious and well-known-
conscious regard for decorative composition. The masterpieces as The Red Rigi, The Bhie Rigi,
artist has the traveller's gift of appreciating to the Splugen Pass, Crook of the Lwie, and several of the-
full differences in the character of landscape in the Farnley Hall drawings, many of which appeared in
scenes which he depicts in various parts of Europe, the volume on that collection published by The
Miss Rice makes everything in nature conform Studio last year. Among the earlier works being
to a fine conception of what its colour and charac- shown at Messrs. Agnew's The Archbishop's Palace,.
" Windsor cas'ILE " (See Paris Studio-Talk, p. 324) by george oberteuffer
322