DOI issue:
No. 250 (February 1914)
DOI article:Studio-talk
DOI Page / Citation link: https://doi.org/10.11588/diglit.21209#0078
Studio- Talk
A.
"AI.CALA, NEAR SEVILLE " CHARCOAL DRAWING BY LUDWIG.ROSCH
( Vienna Secession, Autumn Exhibition)
Triibner and of his pupil Grimm, the distinguished T IENNA.—The autumn exhibition of the
realism of Groeber, von Brandis, Robbecke, Jacob \ / Secession differed from the general run
and von Kardorf. Dill's quiet moorland aspects \l of this society's exhibitions, insomuch
seemed raised into a sphere of visionary roman- T that it was entirely devoted to drawings
ticism, and U. Hiibner's swiftly visualised and and sketches by its members. The note there-
effective new motifs from North German harbours fore was quite distinctive and personal, intro-
proved refreshing. Bertram Priestman, Monod- ducing us to the more intimate side of the artists'
Gournay and Victor Gilsoul also contributed to work. With very few exceptions, the exhibits, being
the enjoyment as painters, and there was besides a studies for finished pictures (many of which have
graphic section rich in works of merit. been reproduced in this magazine), were never
- intended for public view, and hence were of
At Werckmeister's a well-arranged exhibition of peculiar interest, as showing how the final results
graphic work by some of the best women artists of were arrived at. Such, was the case with the con-
the day was on view. Antonie Ritzerow's etch- tributions of Ernest Stohr, Alfons Karpinski,
ings with their picturesque naturalism were a strik- Alfred Boll, Hermann Grom-Rottmayer, Oswald
ing feature, and other prominent exhibitors were Roux, Alfred Offner, Richard Harlfinger, and
Cornelia Baczka-Wagner, H. Weiss, CI. Sievers, some few others of the Secession. Ferdinand
J. Wolfthorn, CI. Arnheim, Erna Frank, A. Schmutzer contributed both studies for portraits
Loewenstein, Johanna Metzner, Ulli Wolters, and interior pictures, the former done in his
Maria Caspar-Filser, and Frida Winkelmann. masterly manner, bold and virile, the latter sym-
Young artists such as A. Weinhagen and the two pathetic renderings of familiar Dutch subjects,
sisters Nicklass also received due attention in this Alois Hanisch's pencil-drawings of landscapes,
display. J. J. cockatoos, hens, cats and other animals were interest-
74
A.
"AI.CALA, NEAR SEVILLE " CHARCOAL DRAWING BY LUDWIG.ROSCH
( Vienna Secession, Autumn Exhibition)
Triibner and of his pupil Grimm, the distinguished T IENNA.—The autumn exhibition of the
realism of Groeber, von Brandis, Robbecke, Jacob \ / Secession differed from the general run
and von Kardorf. Dill's quiet moorland aspects \l of this society's exhibitions, insomuch
seemed raised into a sphere of visionary roman- T that it was entirely devoted to drawings
ticism, and U. Hiibner's swiftly visualised and and sketches by its members. The note there-
effective new motifs from North German harbours fore was quite distinctive and personal, intro-
proved refreshing. Bertram Priestman, Monod- ducing us to the more intimate side of the artists'
Gournay and Victor Gilsoul also contributed to work. With very few exceptions, the exhibits, being
the enjoyment as painters, and there was besides a studies for finished pictures (many of which have
graphic section rich in works of merit. been reproduced in this magazine), were never
- intended for public view, and hence were of
At Werckmeister's a well-arranged exhibition of peculiar interest, as showing how the final results
graphic work by some of the best women artists of were arrived at. Such, was the case with the con-
the day was on view. Antonie Ritzerow's etch- tributions of Ernest Stohr, Alfons Karpinski,
ings with their picturesque naturalism were a strik- Alfred Boll, Hermann Grom-Rottmayer, Oswald
ing feature, and other prominent exhibitors were Roux, Alfred Offner, Richard Harlfinger, and
Cornelia Baczka-Wagner, H. Weiss, CI. Sievers, some few others of the Secession. Ferdinand
J. Wolfthorn, CI. Arnheim, Erna Frank, A. Schmutzer contributed both studies for portraits
Loewenstein, Johanna Metzner, Ulli Wolters, and interior pictures, the former done in his
Maria Caspar-Filser, and Frida Winkelmann. masterly manner, bold and virile, the latter sym-
Young artists such as A. Weinhagen and the two pathetic renderings of familiar Dutch subjects,
sisters Nicklass also received due attention in this Alois Hanisch's pencil-drawings of landscapes,
display. J. J. cockatoos, hens, cats and other animals were interest-
74