DOI Heft:
No. 250 (February 1914)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.21209#0086
Studio- Talk
Among other paintings of which special mention brush-work in our drawings, so the free and bold
should be made were Mr. Homer Watson's fine strokes of the knife are very highly appreciated in
and nobly conceived landscape, Evening after our glyptic art. _
Rain ; Mr. Lauren Harris's strong and decorative
Sunrise through Rime; Mr. W. Edwin Atkinson's The fifth annual exhibition recently held at the
Auiumn Field; Mr. Archibald Browne's The Risen Takenodai in Uyeno Park by the Nihon Chokoku-
Moon; Mr, Franklin Brownell's On the Beech, St. kai, a society composed of some seventeen of
Kitts, B. W.I.; Mr. Wm. Brymner's Aftergloiv; the most prominent or promising sculptors in
Mr. J. W. Beatty's The Passing Shadow; Mr. wood, attracted considerable attention. Unlike
Maurice Cullen's The October Moon ; Mr. E. most others, their exhibitions are entirely free from
Dyonnet's Portrait; Mr. James E. H. Macdonald's the business element, each member striving to
The Lonely North ; Miss H. Mabel May's The show his very highest, regardless of the possibilities
Market under the Trees; Miss K. J. Munn's A of disposing of his work. For fear that they may
Spanish Dancer; Miss Florence Carlyle's After- possibly be influenced, consciously or uncon-
noon, Venice; Mrs. Mary H. Reid's charming sciously, in the choice of subject or the manner of
interior, Morning Sunshine; Mr. Arthur D. execution, the members refrain even from soliciting
Rosaire's Sunset, Lachine;
Mr. A. Suzor-Cote's Youth
and Sunlight: and Mr. H. flflJIHBffiVMHKBi >
Britton's Rockv Coast .r4^^SBBr_ wifflB
towards Sunset. Among
these paintings, those of ^jfemB
Mr. Beatty, Mr. Britton, BfPfHBMBWWBWg JmHB*
Mr. Brownell, Miss Carlyle, .... \f•'«;' /
Miss May, Mrs. Reid, Mr.
Rosaire, and Mr. Suzor- • «.i
Cote were purchased for . ,.i
ti:e National J^Bk ^jttjWMM^^^H^B
H. M. L.
TOKYO.—A great J^ftjH^HHH^9R^9
hope is being JmABtomk' ; ,'v': ■ ^d^»||^SSfe*»x • -v"'**' '
entertained by • y •
our sculptors in ,
wood. They are striving it ABB
to uphold the high reputa-
tion won for our country a *!EfrK ' f M HwfjrT-i ''•>-■ '^^^^^W ' ^ ' •
by our ancient masters in
wood-carving. The marked
progress made by our con-
temporary wood sculptors W:> j ; V | * , ■ ,
can scarcely be equalled in
any other branch of art in
Japan. Not only their ''*',•(»
progress, but their sanguine
future can hardly be dis-
puted. I am inclined to
believe that wood sculpture
is one of the branches of mpT?1- ''^PBBS^'jg* . :IM j2''.&-1$|/ \"
art most peculiarly suited 3jg Y .1
to our artistic temperament, -.^
at least as far as the work
itself is concerned. Just "afterglow" by william brymner
as we value so highly the (Royal Canadian Academy of Arts)
82
Among other paintings of which special mention brush-work in our drawings, so the free and bold
should be made were Mr. Homer Watson's fine strokes of the knife are very highly appreciated in
and nobly conceived landscape, Evening after our glyptic art. _
Rain ; Mr. Lauren Harris's strong and decorative
Sunrise through Rime; Mr. W. Edwin Atkinson's The fifth annual exhibition recently held at the
Auiumn Field; Mr. Archibald Browne's The Risen Takenodai in Uyeno Park by the Nihon Chokoku-
Moon; Mr, Franklin Brownell's On the Beech, St. kai, a society composed of some seventeen of
Kitts, B. W.I.; Mr. Wm. Brymner's Aftergloiv; the most prominent or promising sculptors in
Mr. J. W. Beatty's The Passing Shadow; Mr. wood, attracted considerable attention. Unlike
Maurice Cullen's The October Moon ; Mr. E. most others, their exhibitions are entirely free from
Dyonnet's Portrait; Mr. James E. H. Macdonald's the business element, each member striving to
The Lonely North ; Miss H. Mabel May's The show his very highest, regardless of the possibilities
Market under the Trees; Miss K. J. Munn's A of disposing of his work. For fear that they may
Spanish Dancer; Miss Florence Carlyle's After- possibly be influenced, consciously or uncon-
noon, Venice; Mrs. Mary H. Reid's charming sciously, in the choice of subject or the manner of
interior, Morning Sunshine; Mr. Arthur D. execution, the members refrain even from soliciting
Rosaire's Sunset, Lachine;
Mr. A. Suzor-Cote's Youth
and Sunlight: and Mr. H. flflJIHBffiVMHKBi >
Britton's Rockv Coast .r4^^SBBr_ wifflB
towards Sunset. Among
these paintings, those of ^jfemB
Mr. Beatty, Mr. Britton, BfPfHBMBWWBWg JmHB*
Mr. Brownell, Miss Carlyle, .... \f•'«;' /
Miss May, Mrs. Reid, Mr.
Rosaire, and Mr. Suzor- • «.i
Cote were purchased for . ,.i
ti:e National J^Bk ^jttjWMM^^^H^B
H. M. L.
TOKYO.—A great J^ftjH^HHH^9R^9
hope is being JmABtomk' ; ,'v': ■ ^d^»||^SSfe*»x • -v"'**' '
entertained by • y •
our sculptors in ,
wood. They are striving it ABB
to uphold the high reputa-
tion won for our country a *!EfrK ' f M HwfjrT-i ''•>-■ '^^^^^W ' ^ ' •
by our ancient masters in
wood-carving. The marked
progress made by our con-
temporary wood sculptors W:> j ; V | * , ■ ,
can scarcely be equalled in
any other branch of art in
Japan. Not only their ''*',•(»
progress, but their sanguine
future can hardly be dis-
puted. I am inclined to
believe that wood sculpture
is one of the branches of mpT?1- ''^PBBS^'jg* . :IM j2''.&-1$|/ \"
art most peculiarly suited 3jg Y .1
to our artistic temperament, -.^
at least as far as the work
itself is concerned. Just "afterglow" by william brymner
as we value so highly the (Royal Canadian Academy of Arts)
82