DOI Heft:
No. 365 (August 1923)
DOI Artikel:Cornwell-Clyne, Adrian: Two Lancashire painters
DOI Artikel:Camera club: Exhibtion of 50 prints by 50 etchers
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.21398#0112
CAMERA CLUB
"RAMSBOTTOM, LANCASHIRE”
WATER-COLOUR BY GEORGE LEE
CAMERA CLUB. EXHIBITION OF
50 PRINTS BY 50 ETCHERS.
ON the invitation of the Camera Club,
Mr. Frank Emanuel recently selected
works by a group of etchers (all of whom
have received training at the Central School
of Arts and Crafts) and arranged an
Exhibition thereof at the Club’s Gallery
in John Street, Adelphi. Some of the work
was on a high level of attainment. 0 0
The most notable landscapes were
K. Hobson’s Dutch Windmills and E. G.
Earthrowl's Strand on the Green. Others
worthy of attention were G. Rose’s very
dignified St. Peter's Field, G. Cook's
dainty Mill at Abscon, D. Murray Smith’s
Meadow-Land, A. Pecker’s From Sudbury
Hill, O. Cunningham’s brilliant Lonely
Road, T. Lambert's dry-point. The Beech
Country, and Sydney Long’s vigorous soft-
ground, Radnage, Bucks. Of the town views
the best were by G. Plowman, Miss T.
Green and Miss J. Williams. 0 0
92
In F. Hill’s very original Synthesis there
was skilful handling of an interior. Sea-
scapes were well represented by R. H.
Smith’s Trawlers at the Mouth of the
Thames and W. Pratt's Dordrecht. Among
the figure subjects there was good promise
in F. Whiting’s lively dry-point Jockeys
(reproduced on another page, in connection
with our article on the L.C.C. Central
School of Arts and Crafts), Miss E. Fyfe's
La Poste du Douane, H. Cutner's Dickensian
Visitors and N. Jane's dry-point, The Black
Bodice. Animals were skilfully treated by
S. Tresilian, Miss M. Wright, Miss M.
Green and W. Lendon. 000
That aquatint is a strong point of the group
was proved by Hanslip Fletcher’s Trinity
College, Cambridge, and F. L. Emanuel's
Rue du Petit Enfer, Dieppe. In this division
one might also pick out Miss Asher's
Rhythm, Miss Boreel’s Miss Ffrangcon
Davies in the Immortal Hour, W. Westley
Manning's Landing Herrings, Tarbert, and
Miss G. Williams's Passing of the Storm. 0
"RAMSBOTTOM, LANCASHIRE”
WATER-COLOUR BY GEORGE LEE
CAMERA CLUB. EXHIBITION OF
50 PRINTS BY 50 ETCHERS.
ON the invitation of the Camera Club,
Mr. Frank Emanuel recently selected
works by a group of etchers (all of whom
have received training at the Central School
of Arts and Crafts) and arranged an
Exhibition thereof at the Club’s Gallery
in John Street, Adelphi. Some of the work
was on a high level of attainment. 0 0
The most notable landscapes were
K. Hobson’s Dutch Windmills and E. G.
Earthrowl's Strand on the Green. Others
worthy of attention were G. Rose’s very
dignified St. Peter's Field, G. Cook's
dainty Mill at Abscon, D. Murray Smith’s
Meadow-Land, A. Pecker’s From Sudbury
Hill, O. Cunningham’s brilliant Lonely
Road, T. Lambert's dry-point. The Beech
Country, and Sydney Long’s vigorous soft-
ground, Radnage, Bucks. Of the town views
the best were by G. Plowman, Miss T.
Green and Miss J. Williams. 0 0
92
In F. Hill’s very original Synthesis there
was skilful handling of an interior. Sea-
scapes were well represented by R. H.
Smith’s Trawlers at the Mouth of the
Thames and W. Pratt's Dordrecht. Among
the figure subjects there was good promise
in F. Whiting’s lively dry-point Jockeys
(reproduced on another page, in connection
with our article on the L.C.C. Central
School of Arts and Crafts), Miss E. Fyfe's
La Poste du Douane, H. Cutner's Dickensian
Visitors and N. Jane's dry-point, The Black
Bodice. Animals were skilfully treated by
S. Tresilian, Miss M. Wright, Miss M.
Green and W. Lendon. 000
That aquatint is a strong point of the group
was proved by Hanslip Fletcher’s Trinity
College, Cambridge, and F. L. Emanuel's
Rue du Petit Enfer, Dieppe. In this division
one might also pick out Miss Asher's
Rhythm, Miss Boreel’s Miss Ffrangcon
Davies in the Immortal Hour, W. Westley
Manning's Landing Herrings, Tarbert, and
Miss G. Williams's Passing of the Storm. 0