DOI Heft:
No. 368 (November 1923)
DOI Artikel:[Studio-talk]
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.21398#0297
LONDON
Conder and H. B. Brabazon. The charm
of Conder’s art is amply demonstrated in
his fan paintings and small decorative
panels, but in his oil paintings his weakness
"TITANIA AND THE INDIAN
CHILD ” (‘ MIDSUMMER NIGHT’S
DREAM’). BY R. ANNING BELL, R.A.
as a draughtsman is a little too apparent.
The Brabazon studies—landscapenotesfrom
nature and impressions from paintings by
Turner—are delightful in feeling and in
MHffiffl « ii'
WOODCUT, BOOK ILLUSTRA-
TION BY CICELY GRIFFITHS
(L.C.C. School of Arts and Crafts)
277
Conder and H. B. Brabazon. The charm
of Conder’s art is amply demonstrated in
his fan paintings and small decorative
panels, but in his oil paintings his weakness
"TITANIA AND THE INDIAN
CHILD ” (‘ MIDSUMMER NIGHT’S
DREAM’). BY R. ANNING BELL, R.A.
as a draughtsman is a little too apparent.
The Brabazon studies—landscapenotesfrom
nature and impressions from paintings by
Turner—are delightful in feeling and in
MHffiffl « ii'
WOODCUT, BOOK ILLUSTRA-
TION BY CICELY GRIFFITHS
(L.C.C. School of Arts and Crafts)
277