Studio: international art (86.1923)

BARCELONA

lars and a special entry form either from
M. Guillaume Lerolle, 14 rue Bremontier,
Paris, or Messrs. Dicksee & Co., 7 Duke
Street, St. James's, London. Jurieswill meet
in London on February 4th and 5th, and in
Paris on February 7th and 8th. About
half of last year’s European Section is now
on tour, being shown at such towns as
Boston, Philadelphia, Washington, D.C.,
and Cleveland, and the Committee aims, in
the not too distant future, to organise this
exhibition in such a way that after its
opening in Pittsburgh it will be sent as a
whole to other important galleries in the
United States free of cost to the artist, a

BARCELONA.—There is a group of a
certain importance, formed by some of
our modern artists, chiefly of the conserva-
tive school, having a special predilection
for the painting of “ Manolas " (Madri-
lenian girls of low class, loud in dress and
manners) and characteristic Spanish types.
The enormous praise earned of late years
by the immortal Goya, the master of the
masters and one of the greatest figures of
modern painting, has influenced decisively
the formation of the said group, whose
chief exponents are Ignacio Zuloaga and
Hermen Anglada. a a 0 a
It is curious to see the coincidence in the

“FLORECITA.” BY
JUAN CARDONA

(Salon Pares, Barcelona)

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