THE fTttYOTAl/MIACB ANP ITS CONTENTS
lii
MUSICAL INsTf^^ I
(second ,notI0e.^Ts
PIANO.
^E resume our reina^
tlie Pianofortes i„ g
Great Exhibition, aud si."i
direct out attention to Je
of the beautiful and «1
instruments exhibited,"!
which we now give a ul
detailed account. M"e sk"
however, offer no oplaioD^
their comparative Kera"
either of tone or me-eh^
construction (simply,,^
that which is new or carienS
as eacli leading niauurMi^
has Ins peculiar variety "i^
former, and for the lattertht
widely spread reputation tf
the chief maker.? is a suffice*
guarantee that their iD»^
moats are constructed on ftj
best principles, though U»n
may be some triDing iiffe
ences of applicationpirfjen,
lar to each.
We notice, first, from tin
prominent position they oc-
cupied, the two magnificent
grand pianos iu the XaTe;
the one in the English de-
partment, by Messrs. Bumc-
wood, is a gorge ous-lookin:
instrument; the sides are
shaped out and are ofeboaj,
covered with
of
sod
~a The grand of Erard ou &i
3 and beautiful specimen of its
!■■■"!■
\ :
w French stvlc of oruawmih]
1.
\
cabinet-work. It is of tutip-
wood banded with ^wU o:
\ \
elegant design, viciiiv i:it'-J
with gold, silver, and tortflif
\ \
shell, With ormolu mould-
■
ings, while the instrumenl
ltetnmuig to th
sido in the -allen"
3Ir. Woraum'^^'
lSiii!=ii
piccolo
i first introductio
•apability o
cheaply, hafl
mboy
of that 41
Id w
elagaut style of cabinet-WOi*
lii
MUSICAL INsTf^^ I
(second ,notI0e.^Ts
PIANO.
^E resume our reina^
tlie Pianofortes i„ g
Great Exhibition, aud si."i
direct out attention to Je
of the beautiful and «1
instruments exhibited,"!
which we now give a ul
detailed account. M"e sk"
however, offer no oplaioD^
their comparative Kera"
either of tone or me-eh^
construction (simply,,^
that which is new or carienS
as eacli leading niauurMi^
has Ins peculiar variety "i^
former, and for the lattertht
widely spread reputation tf
the chief maker.? is a suffice*
guarantee that their iD»^
moats are constructed on ftj
best principles, though U»n
may be some triDing iiffe
ences of applicationpirfjen,
lar to each.
We notice, first, from tin
prominent position they oc-
cupied, the two magnificent
grand pianos iu the XaTe;
the one in the English de-
partment, by Messrs. Bumc-
wood, is a gorge ous-lookin:
instrument; the sides are
shaped out and are ofeboaj,
covered with
of
sod
~a The grand of Erard ou &i
3 and beautiful specimen of its
!■■■"!■
\ :
w French stvlc of oruawmih]
1.
\
cabinet-work. It is of tutip-
wood banded with ^wU o:
\ \
elegant design, viciiiv i:it'-J
with gold, silver, and tortflif
\ \
shell, With ormolu mould-
■
ings, while the instrumenl
ltetnmuig to th
sido in the -allen"
3Ir. Woraum'^^'
lSiii!=ii
piccolo
i first introductio
•apability o
cheaply, hafl
mboy
of that 41
Id w
elagaut style of cabinet-WOi*