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6. drawing as a revealing of man’s subjectivity — Ka-
rol Baron,, Jozef Bubák, Vladimír Gažovdč
7. drawing ais research — from constructiveness to
conception — Alojz Klímo, Miloš Urbásek
8. drawing as play and narration — Vladimír Kompá-
nek, Vladmír Popovič, Budovít Hološka, Dezider
Tóth
9. drawing as a project — Jozef Jankovič, Viktor Ku-
lík
10. drawing as a medium — from reality to science fic-
tion — Július Koller, Rudolf Sikora

11. drawing as a dialogue and interprétation — Rudolf
Pila, Daniel Fischer
12. drawing as a goal (in the sense of a radical expo-
sition of reality) — Milan Bočkay.
The role of the present study was not to bring closer
the development of draftsmanship of the years 1945—
1980 in all its entirety; hence, it is not a history of this
discipline, but rather a mere outline of its develop-
ment in the second half of the 20th Century in its full
range and the diversity of the créative aspects. This
also explains its eventual deficiencies and limitations.