62
6. drawing as a revealing of man’s subjectivity — Ka-
rol Baron,, Jozef Bubák, Vladimír Gažovdč
7. drawing ais research — from constructiveness to
conception — Alojz Klímo, Miloš Urbásek
8. drawing as play and narration — Vladimír Kompá-
nek, Vladmír Popovič, Budovít Hološka, Dezider
Tóth
9. drawing as a project — Jozef Jankovič, Viktor Ku-
lík
10. drawing as a medium — from reality to science fic-
tion — Július Koller, Rudolf Sikora
11. drawing as a dialogue and interprétation — Rudolf
Pila, Daniel Fischer
12. drawing as a goal (in the sense of a radical expo-
sition of reality) — Milan Bočkay.
The role of the present study was not to bring closer
the development of draftsmanship of the years 1945—
1980 in all its entirety; hence, it is not a history of this
discipline, but rather a mere outline of its develop-
ment in the second half of the 20th Century in its full
range and the diversity of the créative aspects. This
also explains its eventual deficiencies and limitations.
6. drawing as a revealing of man’s subjectivity — Ka-
rol Baron,, Jozef Bubák, Vladimír Gažovdč
7. drawing ais research — from constructiveness to
conception — Alojz Klímo, Miloš Urbásek
8. drawing as play and narration — Vladimír Kompá-
nek, Vladmír Popovič, Budovít Hološka, Dezider
Tóth
9. drawing as a project — Jozef Jankovič, Viktor Ku-
lík
10. drawing as a medium — from reality to science fic-
tion — Július Koller, Rudolf Sikora
11. drawing as a dialogue and interprétation — Rudolf
Pila, Daniel Fischer
12. drawing as a goal (in the sense of a radical expo-
sition of reality) — Milan Bočkay.
The role of the present study was not to bring closer
the development of draftsmanship of the years 1945—
1980 in all its entirety; hence, it is not a history of this
discipline, but rather a mere outline of its develop-
ment in the second half of the 20th Century in its full
range and the diversity of the créative aspects. This
also explains its eventual deficiencies and limitations.