DOI Heft:
Rozprawy
DOI Artikel:Kandt, Kevin E.: Andreas Schlüter and Otto van Veen: the source, context, and adaption of a classicizing embelm for the tomb of Jakub Sobieski
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.28185#0097
ANDREAS SCHLÜTER AND OTTO VAN VEEN: THE SOURCE, CONTEXT, AND ADAPTATION
95
36. Hendrick Goltzius. Fall ofTantalus, (1588). Engraving, Muzeum Narodowe, Warsaw
Staircase Hall, Krasinski Palace court-façade, and the Sobieski Tomb.
(Fig. 39).
From the same suite, the Kurfürstenzimmer (Apartment of Friedrich I),
we flnd the King’s bedchamber done after Schlüter’s designs,141 with yet
another motif that stems from an emblematic source. Above the fïreplace
is an architectonie ornamental mirror frame. A kind of perspectival inner
frame focuses on a shallow, sculpted relief placed over the mirror-glass
itself. The objects are carefully composed: an élégant table with curved
legs and a cushion upon which rests the royal regalia of crown and
141
Ibid., p. 502.
95
36. Hendrick Goltzius. Fall ofTantalus, (1588). Engraving, Muzeum Narodowe, Warsaw
Staircase Hall, Krasinski Palace court-façade, and the Sobieski Tomb.
(Fig. 39).
From the same suite, the Kurfürstenzimmer (Apartment of Friedrich I),
we flnd the King’s bedchamber done after Schlüter’s designs,141 with yet
another motif that stems from an emblematic source. Above the fïreplace
is an architectonie ornamental mirror frame. A kind of perspectival inner
frame focuses on a shallow, sculpted relief placed over the mirror-glass
itself. The objects are carefully composed: an élégant table with curved
legs and a cushion upon which rests the royal regalia of crown and
141
Ibid., p. 502.