Instytut Historii Sztuki <Posen> [Editor]
Artium Quaestiones — 10.2000

Page: 172
DOI issue: DOI article: DOI Page: Citation link: 
https://digi.ub.uni-heidelberg.de/diglit/artium_quaestiones2000/0174
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PIOTR PIOTROWSKI

mation about the international art of the mid-fîfties. Third, the works of
Endre Tôt indeed demonstrated some characteristic, salient features of
the painting of gesture: the wide impasto, dynamic brush strokes reflect-
ing the unrestricted gestures of the artist, large patches of flagrant
colors, etc. However, if we take a doser look, we will see in his paintings
fragments of press photos, stencil inscriptions, newspaper columns, and
pièces of the national flag, so typical of such artists as Jasper Johns or

33. Laszlo Lakner, Rembrandt Study, 1966 [Hungarian National Gallery, Budapest]
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