DOI Heft:
Rozprawy
DOI Artikel:Piotrowski, Piotr: Totalitarianism and Modernism: the "thaw" and informel painting in central Europe, 1955 - 1965
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.28185#0174
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PIOTR PIOTROWSKI
mation about the international art of the mid-fîfties. Third, the works of
Endre Tôt indeed demonstrated some characteristic, salient features of
the painting of gesture: the wide impasto, dynamic brush strokes reflect-
ing the unrestricted gestures of the artist, large patches of flagrant
colors, etc. However, if we take a doser look, we will see in his paintings
fragments of press photos, stencil inscriptions, newspaper columns, and
pièces of the national flag, so typical of such artists as Jasper Johns or
33. Laszlo Lakner, Rembrandt Study, 1966 [Hungarian National Gallery, Budapest]
PIOTR PIOTROWSKI
mation about the international art of the mid-fîfties. Third, the works of
Endre Tôt indeed demonstrated some characteristic, salient features of
the painting of gesture: the wide impasto, dynamic brush strokes reflect-
ing the unrestricted gestures of the artist, large patches of flagrant
colors, etc. However, if we take a doser look, we will see in his paintings
fragments of press photos, stencil inscriptions, newspaper columns, and
pièces of the national flag, so typical of such artists as Jasper Johns or
33. Laszlo Lakner, Rembrandt Study, 1966 [Hungarian National Gallery, Budapest]