DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.4762#0076
Fl47.
pl48.
ATHENIAN STYLE. 71
her is a female figure, with cpisthosphendonc, long chiton, himation, and shoes
with turned-up toes, playing the double flute. [Cf. E 38 and E 61.]
(/;) Ephcbcs to r., with himation over 1. shoulder, and staff in r. hand
with cross-piece at the top ; facing him is a female figure with close cap, long
chiton, and sandals with turned-up toes, wrapped in a bordered himation.
AMPHORA. Old No. 1684. Ht. 12J in. From the Basilicata. Pourtalcs Coll., 1865
{Cat. 335). Panofka, Cab. Pourtales, pi. 22, p. 72 ; Raoul-Rochette, Mon. Ined. pi. 64, pp.
369-371 ; Ann. dell' Inst. 1829, p. 302. Designs red on black ground ; coarse style. Above
the designs, tongue-pattern with dots ; below, a band of lozenge-pattern with do's.
{a) Bearded male figure, with long sleeved chiton and himation, in r.
hand a staff, looking to r., towards a Canopic jar resting on a plinth, which
terminates in a female head.
(/;) Part of the same scene : A female figure to r. (probably representing the
Nymph of a spring), of whom only the upper half is visible, with cap and
himation, extending r. hand to a beardless male figure, who stands to front
looking to 1., with pilos and chlamys, in 1. hand a hoc or axe, r. extended to
the female figure ; his feet sink into the band of ornament below.
[Probably a representation of digging a spring : cf. Robert, Arch. Mdrclicn, p. 179 ff.J
AMPHORA. Old No. 86j. Ht. 13.^ in. Hamilton Coll. ; originally in the Vatican
library. Passeri, Put. Etr. iii. pi. 249 ; D:HancarvilIc, iii. pi. 94 ; Inghirami, Mon. Etr. v.
pl- 17 ; Gerhard, Gesammeltc Abhandl. 1836, p. 298, and 1841, p. 117, pi. xx. 5, 6 ; Roscher, i.
P- 710; Daremberg and Saglio, i. p. 478 (figure of Heracles); Heydemann, Humoristische
Vascnb. p. 5, note 14 b ; a similar vase in Bull. Arch. Nap. iv. (1845-6), pl. 5. Designs red on
black ground ; coarse style. Above the designs, egg-moulding, red on black ; below, maeander,
black on red.
(a) Heracles with face to front, beard and moustache, and lion's skin over
his head, supporting on his shoulders the heavens, which are represented by a
hemisphere on which arc a crescent and two stars. On the r. is Hera, with long
hair, mitra, long chiton, and bordered himation, extending r. hand to him, 1.
muffled in drapery ; partly restored.
(b) Atlas to 1., bearded, with short chiton and hands extended, advances
towards the tree in the garden of the Hesperides, on which arc three golden
apples ; round it is coiled the serpent with two bearded heads, one issuing on
either side ; the one on the r. has its crest raised and tongue protruding. On
the 1. is a Hesperid to r. with curly hair, cap. long sleeved chiton and apoptygma
to the hips, extending 1. hand to one of the serpent's heads, as if to calm it.
pl48.
ATHENIAN STYLE. 71
her is a female figure, with cpisthosphendonc, long chiton, himation, and shoes
with turned-up toes, playing the double flute. [Cf. E 38 and E 61.]
(/;) Ephcbcs to r., with himation over 1. shoulder, and staff in r. hand
with cross-piece at the top ; facing him is a female figure with close cap, long
chiton, and sandals with turned-up toes, wrapped in a bordered himation.
AMPHORA. Old No. 1684. Ht. 12J in. From the Basilicata. Pourtalcs Coll., 1865
{Cat. 335). Panofka, Cab. Pourtales, pi. 22, p. 72 ; Raoul-Rochette, Mon. Ined. pi. 64, pp.
369-371 ; Ann. dell' Inst. 1829, p. 302. Designs red on black ground ; coarse style. Above
the designs, tongue-pattern with dots ; below, a band of lozenge-pattern with do's.
{a) Bearded male figure, with long sleeved chiton and himation, in r.
hand a staff, looking to r., towards a Canopic jar resting on a plinth, which
terminates in a female head.
(/;) Part of the same scene : A female figure to r. (probably representing the
Nymph of a spring), of whom only the upper half is visible, with cap and
himation, extending r. hand to a beardless male figure, who stands to front
looking to 1., with pilos and chlamys, in 1. hand a hoc or axe, r. extended to
the female figure ; his feet sink into the band of ornament below.
[Probably a representation of digging a spring : cf. Robert, Arch. Mdrclicn, p. 179 ff.J
AMPHORA. Old No. 86j. Ht. 13.^ in. Hamilton Coll. ; originally in the Vatican
library. Passeri, Put. Etr. iii. pi. 249 ; D:HancarvilIc, iii. pi. 94 ; Inghirami, Mon. Etr. v.
pl- 17 ; Gerhard, Gesammeltc Abhandl. 1836, p. 298, and 1841, p. 117, pi. xx. 5, 6 ; Roscher, i.
P- 710; Daremberg and Saglio, i. p. 478 (figure of Heracles); Heydemann, Humoristische
Vascnb. p. 5, note 14 b ; a similar vase in Bull. Arch. Nap. iv. (1845-6), pl. 5. Designs red on
black ground ; coarse style. Above the designs, egg-moulding, red on black ; below, maeander,
black on red.
(a) Heracles with face to front, beard and moustache, and lion's skin over
his head, supporting on his shoulders the heavens, which are represented by a
hemisphere on which arc a crescent and two stars. On the r. is Hera, with long
hair, mitra, long chiton, and bordered himation, extending r. hand to him, 1.
muffled in drapery ; partly restored.
(b) Atlas to 1., bearded, with short chiton and hands extended, advances
towards the tree in the garden of the Hesperides, on which arc three golden
apples ; round it is coiled the serpent with two bearded heads, one issuing on
either side ; the one on the r. has its crest raised and tongue protruding. On
the 1. is a Hesperid to r. with curly hair, cap. long sleeved chiton and apoptygma
to the hips, extending 1. hand to one of the serpent's heads, as if to calm it.