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198.

CAMPANIAN STYLE. IOI

AMPHORA. Ht. 2Ij in. From Santa Agata dei Goti. Temple Coll., 1856. Designs
red and white on black ground. Twisted handles. On the neck and shoulder, each side,
palmette and tongue-pattern ; under the handles, palmettes ; below, all round, wave-pattern.

(a) Departure of warrior: A female figure to v., with flesh painted white,
beaded fillet, long chiton, himation veiling her head, and sandals ; in r. hand
a cotylk, which she is about to fill from a white proclioos held in 1., to offer to a
warrior who departs to r., looking back. He is beardless, and has a high-crested
helmet with three plumes and cheek-pieces, all painted white, white linen
cuirass of three circular plates, chlamys, and short embroidered chiton with broad
white belt, in r. hand a spear ; his 1. hand rests on a white shield. Above in the
centre is seen the lower part of a shield painted white ; below it, a phiale.

[On the details of local armour and costume (helmet, chiton, cuirass), see p. 20,
and cf. F 241-2.]

(/;) Ball-playing: An ephcbos to r., with wreath and himation over 1. arm
and lower part of body, tossing up a ball with r. hand ; confronting him is
a female figure with close cap, beaded fillet, earrings, necklace, long chiton
and himation, r. hand holding a large taenia, 1. muffled in himation. Above
is visible the lower part of a shield with a border of white dots ; behind the
ephebos is a window. The ground-lines are indicated.

AMPHORA. Old No. 1576. Ht. i8| in. Towneley Coll. Designs red and white on
black ground, with yellow accessories on both sides ; the white rather worn. Injured ; lip
repaired. On the neck, each side, a palmette ; on the shoulder, each side, tongue-pattern ;
below the handles, palmettes and acanthus-leaves, differing from the usual pattern ; below, all
round, wave pattern.

(a) In the centre is a female figure leaning with 1. elbow on a white
column, looking to 1. ; she has hair in a knot and white sandals, and is
wrapped in a himation ; in r. hand she holds out a wreath. On the 1., on a
higher level, is a female figure to r., with 1. foot raised on a rock, hair tied
in a bunch, bracelets, himation round lower limbs, and white sandals, in r.
hand a myrtle-branch, in !. a phiale containing fruit ; behind her, a laurel-
branch, and above, a window. On the r. is a female figure seated on a rock
to r., looking back, on the same level as the last, with close cap, earrings,
bracelets, long girt chiton fastened on shoulders, and white sandals, in r. hand
a wreath, in 1. a mirror; above, two uncertain objects; below, two myrtle-
branches. All the female figures are painted white ; on the ground flowers
are roughly indicated.

(b) Female figure seated on a folding-chair to 1., with curls, white cap,
earrings, necklace, himation, and white sandals, holding out a tympanon in r.
hand and a yellow phiale in 1. Confronting her is an ephebos wrapped in a
himation, with fillet and sandals ; between them is a stele on which is fruit;
round it is tied a yellow taenia. Above are a rosette, a taenia, and a window
from which hangs a chaplet ; below the window, a myrtle-branch.
 
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