Evans, Arthur J.: The Palace of Minos: a comparative account of the successive stages of the early Cretan civilization as illustred by the discoveries at Knossos (Index) (London, 1936)

REEDS

[146]

RELIEFS

Reeds, on pottery (cont.)

-------('striated' class) L.M. II, iv. 342-4,

1011-14: derived from palm leaves (M.M.

II-III)
-----------Polychrome type on incense burner

from L.M. II Sepulture Temple Tomb,

IV. 1011, 1012 and Coloured PI. XXXV
-----------copied on Tell-el-Amarna vase, iv.

1013-14 and Coloured PI. XXXV

-------Melian (on washing bowl), 1. 598, 111. 385

-------Sicilian, 1. 22, 11. 627

Regulini Galassi tomb, silver bowl from, iv.

539

Reichel, Dr. W., on silver rhyton from Mycenae,
in. 89 n. 2, 92 n. 4, 98 n. 2

Reinach, Monsieur Salomon, on galop -volant,
1. 713 and n. 3: on origin of Naked God-
dess, iv. 427

Reindeer Period, alphabetic signs on bone
carvings of, in. 407

Reisner, Dr. G. A., on Early Egyptian stone
vessels, iv. 985 n. 1

Rekhmara, tomb of, at Thebes, 11. 116, 166,
226, 534, 728, iv. 329, 653, 753

-------inscription in referring to Princes of

Keftiu, 11. 656

-------Minoan tributaries portrayed in, II. 176,

728, 739-44; ingots carried by, iv. 653;
rhytons carried by, 11. 226, 534, 738, iv.
269

Reliefs, painted stucco (A.E.):

In genere. Unique product of Knossian

School of Art—those from Island Station of

Pseira similar to fragments from Knossos,

in. 28, 38.

High reliefs supreme development of painted

stucco technique, ill. 496, 517
Disappear in _LJVI. la—'Priest-king', last
example, n. 775 seqq. and 11, Pt. ii, frontis-
piece, PI. XIV
Appreciations of the style and anatomical
fidelity by artistic and physiological authori-
ties: Sir William Richmond, R.A., 11. 783,
III. 506, 507; Prof. Arthur Thompson,
F.R.C.S., 11. 783 n. 3, 497, 489 n. 1
Paralleled on Mainland side by reliefs (of
Knossian gypsum) of bulls of the same
'Vapheio' cycle from the 'Atreus' facade at
Mycenae, in. 194 seqq.
Low relief technique, evidence of existence

Reliefs, painted stucco {cont.)

of by close of JVLM. II*, in. 189; fully
developed by M.M. Ilia, 11. 355; Early ex-
ample from H. of Sacrificed Oxen deposit,
11. 319; part of bull's head and bossed
rosette, and Spiral Fresco frieze, 1. 375, 376

-------transitionalJYI.M. Ill* 'Jewel Fresco'

(from Toilette scene), I. 312, 525-7

-------Seated ladies, M.M. Ill*, Pseira, III. 28,

38 (cTT 11. 731,"732) (Fig. 15a) 40, 731,
also Knossos (fragmentary), n. 39-41

-------Priestling. Relief (L.M. la),_ S.-N.

Corridor, 11. 685, 774-85, Coloured PI.
XIV, frontispiece Pt. ii, iv. 6, 323, 400

-------from bull-grappling scene, area of

Spiral Fresco, M.M. HIax 1. 375, 376
(Lower relief than those from N. Portico)
Higher reliefs. Remains _ofJbilll-gra|)pling
scenes from N. Portico fM.M. HI*): charg-
ing bull, in. 172, 173 (Fig. 116), 174-6, iv.
537; parallels with Vapheio cup scenes,
in. 177; with gypsum reliefs from 'Atreus'
Tomb facade (Mycenae), in. 192-201; re-
stored section, iv. 16, 17 (Fig. 8)

-------Olive-trees in bossed relief from the

above, iv. 166-71

-------Rock-work fore-ground from the above,

iv. 171, 172

-------Part_of lion's neck and mane; M^M-

III*J_ii. 333, iv. 538 (rivet-hole as M.M.
Ill* frescoes, cf. 11. 680)

-------Agonistic and bull-grappling reliefs

from Great East Hall, M.M. Ill*, 497-509;
boxers, ill. 498-508 (compared with reliefs
on steatite rhytons and seal impressions, in.
500, 501-4; and cf. 1. 688-92, iv. 600,
601); wrestlers, m. 497-9 and Fig. 342 A

-------Woman's breasts from female taureador

in above composition, I. 531, ill. 508, 509

-------associated (in Great East Hall) with

Griffins supporting baetylic column on
stepped base, in. 510-15
Ceiling reliefs: remains of large spiraliform,
from Great South Hall; colouring lost, in. 30

-------with spiral and rosette design from

Miniature Fresco area, in. 30, 31, and
Coloured PI. XV; suggested L.M. la date,
in. 31; reaction of Egyptian influence on,
in. 31
-------fragment of, with lotus design in meplat