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THE NAUSIKAA PAINTER
Beazley, VA. p. 122.
The painter of the Munich amphora representing Odysseus
and Nausikaa has been given this name by Beazley. He rep-
resents during the later archaic period the mannered style of
which the Pan Painter was the best example.
1. Athens CC. 1184 (1400) (5924). Pelike. From Boeotia: h.
0.285.
Cat. p. 373: Praktika, 1892, p. 103: Beazley, no. n.
A. Youth reciting and youth listening. On the bema KAVE.
B. Youth and man.
2. Berlin 2352. Neck amphora (twisted handles). From
Nola: h. 0.523.
Cat. p. 637: Panofka, Mus. Bart. p. in, 32: Stephani,
CR. 1872, p. 182, no. 44: Beazley, no. 2.
A. Eos and Kephalos.
B. Two men.
3. Boston 96.719. Amphora (Panathenaic shape): h. 0.514.
Ann. Rep. Mus. F. A. 1896, p. 32, 1: Beazley, no. 4.
A. Citharode and Athena. On the bema KAVO^.
B. Hermes and Poseidon.
4. Castle Ashby. Neck amphora (triple handles). Formerly
in Coll. Pizzati, Florence: h. 0.46.
Gerhard, Aus. Vas. pl. 144 = Reinach, ii, p. 75, 6-7:
Burlington Cat. 1904, pl. 95, H 52, p. in; ibid. 1888,
no. 115, p. 51: Beazley, no. 3.
A. Herakles, Athena, and lolaos.
B. Three men.
5. London, Brit. Mus. E 184. Kalpis. Formerly in Blacas
Coll. From Nola: h. 0.388.
Cat. Hi, p. 161: Panofka, Mus. Blacas, i, p. 63, pl. 21:
Beazley, no. 10.
A. Dionysos pursuing woman.
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