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THE NIOBID PAINTER
Furtwangler, F.R. i, pp. 132-135.
Hauser, ibid, ii, pp. 308 ff.
Beazley, VA. pp. 145-150.
The most showy artist, if not the most sincere, of the early
Free Style, is the painter of the Niobid krater in the Louvre.
Furtwangler assigned a number of vases to one hand and Beazley
has given the name to the unknown painter. He is practically
identical with Hauser’s Frau Meisterin.
1. Athens CC. 1244, (1261) (2801). Kalpis: h. 0.39.
Cat. (CC.) p. 404: Beazley, no. 39.
Nike and youth.
2. Athens CC. 1253, (i486) (1295). Kalpis: h. 0.29.
Cat. (CC.) p. 408: Beazley, no. 35.
Eos and Kephalos (Cat. calls them Nike and the Dioskuroi).
3. Athens, new acquisition 1913. Oinochoe. Form Berlin Cab
no. 205.
Beazley, no. 41.
Nike, warrior, and woman at altar.
4. Berlin 2403. Volute krater (fragment).
Cat. p. 664: Curtius, AZ. 1883, p. 348, pl. 17, 1-2 -
Reinach, i, p. 450, 3-4: F.R. ii, p. 247, fig. 88: Winter,
J AV. p. 63, xii, 1: Beazley, no. 5.
Centauromachy.
5. Bologna 268 VF. Volute krater: h. 0.715, d. 0.40.
Cat. (VF.) p. 107: Mon. d. Inst, xi, pls. 14-15 = Reinach,
i, p. 221: Ann. d. Inst. 1880, p. 28: Pottier, Louvre Cat.
p. 1090: Furtwangler, F.R. i, p. 133: Hauser, ibid, ii,
p. 308, note 1, no. 4 (attr. to the Frau Meisterin): Winter,

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