International studio (51.1913/1914)

George T. Plowman



merous lithographs and drawings. Although only,
comparatively speaking, a beginner, this artist is
represented already in many permanent collec-
tions, both in America and abroad: Royal Col-
lege and Crystal Palace, London; Art Museum,
Boston; Public Library, New York; Congressional
Library, Washington, etc. Visitors to the Brown-
Robertson Co., 707 Fifth Avenue, were able to
see a roomful of his plates, along with the exhi-
bition of the etchings of Earl H. Reed, of Chicago,
whose work was discussed in the November num-
ber of this magazine.
Mr. Plowman is spending a few weeks in New
York, and has, like Pennell, Deville and a few

ETCHING BY GEORGE T. PLOWMAN

Courtesy of the Berlin Photographic Company
BALZAC’S HOUSE, PARIS

others, fallen a victim to its pictorial charms to
such an extent that he is executing a series of
drawings, one of which heads the article and
speaks for itself. In time New Yorkers will recog-
nize the fact that they are the privileged residents
of a very beautiful city.

mHE COLLEGE ART ASSOCIATION
The third annual meeting of this Associa-
tion under the presidency of Prof. Holmes Smith,
of Washington University, St. Louis, Mo., will be
held in the Harper Memorial Library, University
of Chicago, Chicago, Ill., c>n the 29th and 30th of
December. This organiza-
tion of college art teachers,
now in its third year, repre-
sents through its member-
ship over fifty of the leading
colleges and universities of
the United States. The pur-
pose of the organization is
to promote and standardize
efficient instruction in the
fine arts in the American in-
stitutions of higher educa-
tion. At the meeting to be
held in Chicago several lead-
ers of esthetical study will
present addresses on special
topics in art education. One
feature of the program that
is of primary importance to
the organization will be dis-
cussions of reports on
courses of study.

CXXXVI