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International studio — 80.1925

DOI issue:
Nr. 332 (January 1925)
DOI article:
Etchings by Peter Marcus
DOI Page / Citation link:
https://doi.org/10.11588/diglit.19984#0070

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BELOW ZERO BY PETER MARCUS

Then too there is the possibility of rich tonal simply areas of tone in the reproduction and the

effect through the bur that is thrown up by the beautiful quality of the line would be entirely lost,

needle, but Marcus has never leaned too heavily "Awaiting the Spring" is an unusually charming

on this, much to his credit. As a painter he was dry-point. When this was exhibited in the show

interested in tone, and now he is constantly trying which Mr. Marcus held at the Kennedy Galleries

to express tone and color in his etchings. His last season one of New York's best known con-

plates devoted to the light of the sky at sunrise noisseurs selected it for his collection. As a result

and sunset are examples of his success along this of this exhibition Mr. Marcus was invited to hold

line. He has made some plates of clouds which it a one-man show of his etchings at the Memorial

would be quite impossible to reproduce, for the Art Gallery in Rochester last October.

very fine lines that delineate them Would become Illustrations by courtesy oj Kennedy <y Company

three thirty

JANUARY 1925
 
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