DOI Heft:
Nr. 333 (February 1925)
DOI Artikel:Pearson, Ralph M.: Etchings as works of art
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.19984#0131
intrgRnACionAL
Number Seven. Note the quiet dignity of universalized subject matter built into design.
than the creative art content. Skill is a tool with interesting from a humanistic or psychological
which a work of art may be built; never, as skill, point of view, perhaps, but entirely outside the
has it any of the blood of art in its veins. And realm of art. Skill and personality and subject
the personality of the artist is also irrelevant— interest are all side attractions tempting interest
Number Eight. Here is the beginning of the change from the universal to the particular—from the classic ideal depending on
simplified Jorm and abstract treatment to the romantic ideal depending on the presentation of actual Jacts and appearances.
Note the accidental shadows from a particular light, and the accidental shapes so revealed.
february 1925
three ninety-one
Number Seven. Note the quiet dignity of universalized subject matter built into design.
than the creative art content. Skill is a tool with interesting from a humanistic or psychological
which a work of art may be built; never, as skill, point of view, perhaps, but entirely outside the
has it any of the blood of art in its veins. And realm of art. Skill and personality and subject
the personality of the artist is also irrelevant— interest are all side attractions tempting interest
Number Eight. Here is the beginning of the change from the universal to the particular—from the classic ideal depending on
simplified Jorm and abstract treatment to the romantic ideal depending on the presentation of actual Jacts and appearances.
Note the accidental shadows from a particular light, and the accidental shapes so revealed.
february 1925
three ninety-one