DOI issue:
Nr. 333 (February 1925)
DOI article:Pearson, Ralph M.: Etchings as works of art
DOI Page / Citation link:https://doi.org/10.11588/diglit.19984#0132
mceFtnACionAL
Number Nine. Though contemporary with Rembrandt this artist maintained the older design quality in his
work. There is a sense of restrained power here that gives great distinction and enduring value.
Number Ten. In this picture less surrender is made to representation than in Rembrandt, and, though shadow
edges are often meaningless as part of the design, still the ensemble, by its subordination oj detail, has classic (or
universal) quality.
three ninety-two
february i 9 2 5
Number Nine. Though contemporary with Rembrandt this artist maintained the older design quality in his
work. There is a sense of restrained power here that gives great distinction and enduring value.
Number Ten. In this picture less surrender is made to representation than in Rembrandt, and, though shadow
edges are often meaningless as part of the design, still the ensemble, by its subordination oj detail, has classic (or
universal) quality.
three ninety-two
february i 9 2 5