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Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
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Jameson, Anna
Companion to the most celebrated private galleries of art in London: containing accurate catalogues, arranged alphabetically, for immediate reference, each preceded by an historical & critical introduction, with a prefactory essay on art, artists, collectors & connoisseurs — London: Saunders and Otley, 1844

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https://doi.org/10.11588/diglit.61252#0106

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62 the queen’s gallery.
169 A Hawking Party.—Two gentlemen and a lady halt 5
at an inn, before which there is a travelling carriage, a
woman pouring out liquor for a cavalier, and other persons.
This picture, painted in a silvery tone, has a harmony of
keeping, a delicacy of execution, which are seldom met
with even in Wouvermanns.
Engraved by Le Bas. P. 1 ft. 10 in. by 2 ft. (Smith’s Cat. 255.)
170 A Hay Harvest.—A boat, and a waggon with four 6
horses, are laden with hay. In the middle distance are
the mowers; in front, two huntsmen on foot with dogs, a
beggar, and a youth bathing. Like the former, in the
artist’s third manner, but still more tender in the harmony
of the colouring, still more delicate in the touch. From
the collection of Smeth van Alpen, and sold at Rotterdam,
in 1810, for 379Z.; brought to England by M. La Fontaine,
and sold to the king in 1811.
C. 2 ft. 1 in. by 2 ft. 6 in. (Smith’s Cat. 256.)
171 A Horse Fair .—On the right a horse kicking; a man 7
flogging it. A rich composition, carefully executed; but
in many parts too dark.*
172 The Farrier’s Tent—in which a horse is shod. Before 8
it several women. Most exquisitely finished.
14 in. by 12j in.
173 A Skirmish of Cavalry.—Most probably by Dirk 9
Stoop,f as it has neither the character of Wouvermanns in
the horses, nor his peculiar touch.
C. 2 ft. 7 in. by 3 ft. 9 in.
WEENIX (Jan), b. 1644 ; d. 1719.
[An excellent painter of game, animals, and still life, which he
treated with great fancy and picturesque effect, and generally on a

* This picture corresponds in subject, but not in size, with Sir Charles Bagot’s
picture. (Smith’s Cat. 286.)
t Dirk Stoop, to whom the picture No. 173 is attributed by Dr. Waagen, was
an eminent painter of subjects in the style of Wouvermanns and Van Laer, and
bom about 1610.
 
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