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Jameson, Anna
Companion to the most celebrated private galleries of art in London: containing accurate catalogues, arranged alphabetically, for immediate reference, each preceded by an historical & critical introduction, with a prefactory essay on art, artists, collectors & connoisseurs — London: Saunders and Otley, 1844

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https://doi.org/10.11588/diglit.61252#0116

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72

THE QUEEN’S GALLERY.

201 Anne, Duchess of Cumberland.—Lady Anne
Luttrel, daughter of the Earl of Carhampton, and widow
of Christopher Horton, Esq. ; married to the Duke in
1771. Exceedingly elegant; the face beautiful.

VAN LOO (Jean Baptiste), b. 1684 ; d. 1746.
[A French portrait painter, who was in England about 1737.]
202 Frederick, Prince of Wales, father of George
III.
203 The Princess of Wales, his Consort.
KNELLER (Sir Godfrey), b. at Lubeck, in 1648 ; d. in London, 1723.
204 King George II.
205 Queen Caroline.
LAWRENCE (Sir Thomas), b. 1769 ; d. Jan. 7, 1830.
206 King George IV. in his Robes.—A repetition of
the picture at Windsor.

STATE DRAWING ROOM.
Over the Door.
VAN DYCK (Anthony).
207 King Charles I. and Queen Henrietta Maria.—
Half-length, in the same picture; she is presenting to him
a crown of laurel.
A picture well known from the fine engravings which
exist of it, by Van Voerst, Cornelius Vischer, and Vertue.
In King Charles’s time it hung in Somerset House. After
his death I find it in the inventory of the sale—“ The
King and Queen, together with a laurel leafe, sold to Mr.
Jackson for 607.” It is not in King James’s catalogue,
nor can I find how it has since been restored to the royal
 
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