DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.61252#0238
194 THE SUTHERLAND GALLERY.
declivity of a mountain, with his car and coal black steeds,
his beautiful prey in his arms; and, far beyond, a river is
pursuing its course to the sea. The whole treatment is
extremely original and imaginative. 6 ft. 6 in. by 7 ft. 3 in. S. G.
PANNINI (Gianpaolo), b. 1691 ; d. 1764. Roman S. [A cele-
brated architectural painter.]
57 Architectural Ruins, with Figures.
58 Architectural Ruins, with Figures, c. 3 ft. by 8 ft.
59 A Grand Architectural Composition, with the
Marriage at Cana. From the collection of the Due
de Berry. C. about 6 ft. by 4 ft.
PARMIGIANO (Francesco Mazzola), b. 1503; d. 1540.
[The most celebrated of the followers and imitators of Correggio.
His finest works are in fresco at Parma, and his sublime “ Moses,”
and his beautiful “ Eve,” of the Steccata, are celebrated examples of
the grandeur to which he could rise, and of the grace which was his
chief characteristic. Judging, however, from those of his easel pic-
tures I have seen, I should prefer one of his noble portraits to them
all. He' is too frequently on the brink of what one hates most in art
and in everything—affectation.]
60 Portrait of a Young Man.—Three-quarters, habited
in a cloak trimmed with light fur, and wearing a black
beret. Exceedingly fine, but it has suffered much, the
hands particularly. Purchased by the Duke of Sutherland
from the Aldrovandi collection at Bologna.
61 The Adoration of the Shepherds.
PELLEGRINO DA MODENA, fl. 1509 to 1523.
[Pellegrino Munari, of Modena, was a scholar of Raphael, and one
of the assistants in his works in the Vatican. In his frescoes, he is
said to approach Raphael in the grandeur and grace of his compo-
sitions. His easel pictures are very rare, and his best works remain
in Modena, his native city, where he perished tragically at the age of
thirty-eight, murdered by the relatives of a youth who had been
accidentally killed in a brawl by his son.]
declivity of a mountain, with his car and coal black steeds,
his beautiful prey in his arms; and, far beyond, a river is
pursuing its course to the sea. The whole treatment is
extremely original and imaginative. 6 ft. 6 in. by 7 ft. 3 in. S. G.
PANNINI (Gianpaolo), b. 1691 ; d. 1764. Roman S. [A cele-
brated architectural painter.]
57 Architectural Ruins, with Figures.
58 Architectural Ruins, with Figures, c. 3 ft. by 8 ft.
59 A Grand Architectural Composition, with the
Marriage at Cana. From the collection of the Due
de Berry. C. about 6 ft. by 4 ft.
PARMIGIANO (Francesco Mazzola), b. 1503; d. 1540.
[The most celebrated of the followers and imitators of Correggio.
His finest works are in fresco at Parma, and his sublime “ Moses,”
and his beautiful “ Eve,” of the Steccata, are celebrated examples of
the grandeur to which he could rise, and of the grace which was his
chief characteristic. Judging, however, from those of his easel pic-
tures I have seen, I should prefer one of his noble portraits to them
all. He' is too frequently on the brink of what one hates most in art
and in everything—affectation.]
60 Portrait of a Young Man.—Three-quarters, habited
in a cloak trimmed with light fur, and wearing a black
beret. Exceedingly fine, but it has suffered much, the
hands particularly. Purchased by the Duke of Sutherland
from the Aldrovandi collection at Bologna.
61 The Adoration of the Shepherds.
PELLEGRINO DA MODENA, fl. 1509 to 1523.
[Pellegrino Munari, of Modena, was a scholar of Raphael, and one
of the assistants in his works in the Vatican. In his frescoes, he is
said to approach Raphael in the grandeur and grace of his compo-
sitions. His easel pictures are very rare, and his best works remain
in Modena, his native city, where he perished tragically at the age of
thirty-eight, murdered by the relatives of a youth who had been
accidentally killed in a brawl by his son.]