Salmon, William: Polygraphice: Or, The Arts of Drawing, Engraving, Etching, Limning, Painting, Washing, Varnishing, Gilding, Colouring, Dying, Beautifying and Perfuming: In Four Books ... To which is added A Discourse of Perspective and Chiromancy (London, 1675)

Cfe.jo, Making Original Colours. 105
IX. *t§ make a Red or Ruby sor Limning*
it is made of Indian-lake (which breaks offa Scar-
let colour) ground with Gum-water and Sugar-candy.
X. To makg Azufe blew-, dr Sapbyre.
It is made of Ultramarine of Venice (which is besi)
the best Blew Smalt, or blew bice ground with gum-
water only: you may make good (hadowingblews
of Indico, Flory and Litmose, all which need no
warning, nor Litmose no grinding, but only infused
in a Lixivium of Soap-alhes.
XI. *io make a green or Emerald.
It is made of Cedar green : in place whereof, take
tripal to draw with : Pink is good also for Landskips,
mixed with Bice-alhesj as also with Masticot and
Ceruse.
XII. To make a Yellow or Topaz-
It is made of Majiicot which is the best, of which
there is divers sorts, viz deeper and paler: Yellow-
Oker also for want of better may do. Shadow Masti-
cot with Yellow-Oker jdeepen it with Oker-de-rouse.
XIII. To make Vltramarine.
Take the deepesi: coloured Lapis Lazuli ( having
few veins os Gold upon it) heat it red-hot in a Cruci-
ble close covered, then quench it in Urine, Vinegar or
water, in a Leaded earthen pot dry it well, then with
a pair of pinsers nip off the hard, gray, and whitift
pare from it, and grind the remainder with honied
water as fine as maybe, then dry it for use. The
honied water is made of water a quart, boiled with
honey two spoonfuls.

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