DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.55691#0157
Petersburskie motywy w warszawskiej twórczości architektonicznej Mariana Lalewicza
153
Roguska 2004 = Roguska, J.: „Warszawskie kolonie
willowe lat 20. XX wieku. Symbioza zachodnioeu-
ropejskich zasad urbanistycznych i rodzimej formy
architektonicznej”, Urbanistyka. Międzyuczelniane
Zeszyty Naukotue, nr 8 (2004): 31-47.
Skolimowski 2017 = Skolimowski, A.: Marian Lale-
wicz, Internetowa Encyklopedia Polski Petersburg,
zespól redakcyjny: H. Grala, В. K. Nykiel, M. Ba-
naszkiewicz; www.polskipetersburg.pl/hasla/lale-
wicz-marian , (opublikowany: 1.06. 2017).
Wagner 2010 = Wagner, A. A: „Gmach Państwowego
Instytutu Geologicznego w Warszawie - przestrzen-
no-architektoniczne odniesienia Mariana Lalewicza
do klasycyzmów w architekturze polskiej”, Kwartal-
nik Architektury i Urbanistyki, z. 4 (2010): 88-102.
Витязева, Кириков 1988 = Витязева, В., Кириков, Б.:
Ленинград. Путеводитель, Ленинград 1988.
Зодчий 1903 = «Новый прием застройки городских
улиц», Зодчий, № 43 (1903): 505.
Зодчий 1905 = Зодчий, № 14 (1905): 179, pl. 15.
Кириков 2014 = Кириков, Б.: Архитектура
петербургского модерна. Особняки и доходные
дома, Издательский дом «Коло», Санкт-
Петербург 2014.
Кириков, Федоров 1989 = Кириков, Б., Федоров,
С.: «"Диагональный” на Диагональной улице»,
Вечерний Ленинград, № 9 (23 марта 1989), za:
Кириков 2014.
Jadwiga Roguska
The Petersburgian motives in the Warsaw architectural oeuvre
of Marian Lalewicz
Marian Lalewicz (1876-1944), an architect, worked in Sr. Petersburg in 1902-1918. After Poland re-
gained its independence, he continued his professional activity in Warsaw from 1918 until his tragic death
in 1944. In Petersburg, he achieved a status of one of the most important architects of the modernist
Neo-Classicism. The Warsaw phase of his activity put him among the leading architects of the academic
Classicism in the Polish architecture. The change of the milleu in 1918 did not result in the sudden change
in the architects practice, but also did not mean its „fossilisation”. A comparison ofPalladianesque motives
most frequently applied in Petersburgian projects with their continuation in the Warsaw projects indicates
that the architect s practice was adjusted to the overall changes in architecture and local condition, remain-
ing within the modernist-classical approach. After 1918, in the Lalewiczs work there were tendencies to
monumentalise and simplify motives, to adjust forms to the growing scalę of the objects with the modern
construction, to spatialise the takes on the motives, to “open up” architecture according to the growth
in the importance of space in the 20th century architecture. The author focuses especially on tracing the
motive of layout of the residential housing with an open courtyard, that genetically originated from E. He-
nards idea from the beginning of the 20th century, then a novelty, that Lalewicz applied in the Petersburg
period and used in the 1923 project of a co-op house at 51/53 Mokotowska st. in Warsaw. Although in
the 1920s., due to the emergence of new concepts of changing the residential housing, this solution had
not longer a novelty value, but it gained quite a popularity in Warsaw among the co-op residential housing
developers, thanks to its usefulness and adjustment to the needs of this kind of kwestor.
153
Roguska 2004 = Roguska, J.: „Warszawskie kolonie
willowe lat 20. XX wieku. Symbioza zachodnioeu-
ropejskich zasad urbanistycznych i rodzimej formy
architektonicznej”, Urbanistyka. Międzyuczelniane
Zeszyty Naukotue, nr 8 (2004): 31-47.
Skolimowski 2017 = Skolimowski, A.: Marian Lale-
wicz, Internetowa Encyklopedia Polski Petersburg,
zespól redakcyjny: H. Grala, В. K. Nykiel, M. Ba-
naszkiewicz; www.polskipetersburg.pl/hasla/lale-
wicz-marian , (opublikowany: 1.06. 2017).
Wagner 2010 = Wagner, A. A: „Gmach Państwowego
Instytutu Geologicznego w Warszawie - przestrzen-
no-architektoniczne odniesienia Mariana Lalewicza
do klasycyzmów w architekturze polskiej”, Kwartal-
nik Architektury i Urbanistyki, z. 4 (2010): 88-102.
Витязева, Кириков 1988 = Витязева, В., Кириков, Б.:
Ленинград. Путеводитель, Ленинград 1988.
Зодчий 1903 = «Новый прием застройки городских
улиц», Зодчий, № 43 (1903): 505.
Зодчий 1905 = Зодчий, № 14 (1905): 179, pl. 15.
Кириков 2014 = Кириков, Б.: Архитектура
петербургского модерна. Особняки и доходные
дома, Издательский дом «Коло», Санкт-
Петербург 2014.
Кириков, Федоров 1989 = Кириков, Б., Федоров,
С.: «"Диагональный” на Диагональной улице»,
Вечерний Ленинград, № 9 (23 марта 1989), za:
Кириков 2014.
Jadwiga Roguska
The Petersburgian motives in the Warsaw architectural oeuvre
of Marian Lalewicz
Marian Lalewicz (1876-1944), an architect, worked in Sr. Petersburg in 1902-1918. After Poland re-
gained its independence, he continued his professional activity in Warsaw from 1918 until his tragic death
in 1944. In Petersburg, he achieved a status of one of the most important architects of the modernist
Neo-Classicism. The Warsaw phase of his activity put him among the leading architects of the academic
Classicism in the Polish architecture. The change of the milleu in 1918 did not result in the sudden change
in the architects practice, but also did not mean its „fossilisation”. A comparison ofPalladianesque motives
most frequently applied in Petersburgian projects with their continuation in the Warsaw projects indicates
that the architect s practice was adjusted to the overall changes in architecture and local condition, remain-
ing within the modernist-classical approach. After 1918, in the Lalewiczs work there were tendencies to
monumentalise and simplify motives, to adjust forms to the growing scalę of the objects with the modern
construction, to spatialise the takes on the motives, to “open up” architecture according to the growth
in the importance of space in the 20th century architecture. The author focuses especially on tracing the
motive of layout of the residential housing with an open courtyard, that genetically originated from E. He-
nards idea from the beginning of the 20th century, then a novelty, that Lalewicz applied in the Petersburg
period and used in the 1923 project of a co-op house at 51/53 Mokotowska st. in Warsaw. Although in
the 1920s., due to the emergence of new concepts of changing the residential housing, this solution had
not longer a novelty value, but it gained quite a popularity in Warsaw among the co-op residential housing
developers, thanks to its usefulness and adjustment to the needs of this kind of kwestor.