Heidelberg historic literature – digitized
Homepage
Digital Library
Heidelberg historic literature – digitized
Studio: international art
Metadata
Overview
Facsimile
OCR fulltext
Toggle Dropdown
Show references
always
Standard
never
Scroll
Watch list
0
Login
Page
Page:
34
Download volume
normal, 172 MB
groß, 622 MB
Download page
PDF
JPEG
Print
Print page
Metadaten
Studio: international art
— 3.1894
Cite this page
×
Close
Please cite this page by using the following URL/DOI:
https://doi.org/10.11588/diglit.17190#0047
DOI issue:
No. 14 (May, 1894)
https://doi.org/10.11588/diglit.17190.10
DOI Page / Citation link:
https://doi.org/10.11588/diglit.17190#0047
Intro Page
All related items
art journals – Illustrated art and satire periodicals
Further information on the journal
Use/Order
Table of contents/Search
Content
Full text search
Einband
Schmutztitel
Titelblatt
Index to volume III
Frontispiz
No. 13 (April, 1894)
Baldry, Alfred Lys: Albert Moore, [1]
Wedmore, Frederick: The responsibility of painting: an address to students of art
M., A.: On some methods of suppression and modification in pictorial photography
Rothenstein, William: Some remarks on artistic lithography
Briggs, Robert Alexander: Bungalows
Leighton of Stretton, Frederic Leighton: Study of a lemon tree
From gallery and studio, with illustrations, [1]
Khnopff, Fernand: Some English art works at the "Libre Esthétique," at Brussels
No. 14 (May, 1894)
Dillon, Frank: Studies by Japanese artists
Patten, William: Letters from artists to artists, [7], Bruges as a sketching ground
Baldry, Alfred Lys: Albert Moore, [2] (concluded)
Kruekl, F.: Leather embossing as an artistic handicraft
Lambert, Ernst: On the use of a single lens in portraiture, with illustrations
From gallery, studio, and mart, with illustrations, [2]
No. 15 (June, 1894)
Jacomb Hood, George Percy: Dry-point etchings by Helleu
Strange, Edward F.: Stencilling as an art
Tuke, Henry Scott: A day in Falmouth Harbour
Frampton, George; Webb, Matthew: On colouring sculpture
From gallery, studio, and mart, with illustrations, [3]
No. 16 (July, 1894)
Vallance, Aymer: The revival of tapestry-weaving: an interview with Mr. William Morris
The poetic in paint: by a landscape painter
Marshall, Herbert: Letters from artists to artists, [8], London (second letter)
Woodcut printing in water-colours: after the japanese manner
A studio of design: an interview with Mr. Arthur Silver
Leighton of Stretton, Frederic Leighton: Sir Frederic Leighton on the relation of architecture and the sister arts
From gallery, studio, and mart, with illustrations, [4]
No. 17 (August, 1895)
Afternoons in studios: a chat with Mr. G. H. Boughton
Harper, C. G.: Letters from artists to artists, [9], Shrewsbury as a sketching ground
Strange, Edward F.: A new designer for metalwork
Woodcut printing in water colours, III
Vallance, Aymer: The Home Arts and Industries Association at the Royal Albert Hall
Webb, Matthew: On Gesso, and some designs in a competition for a finger-plate
From gallery, studio and mart, with illustrations, [5]
No. 18 (September, 1894)
The sea maiden: a painting by Herbert J. Draper
Hiatt, Charles T. J.: A note on the decoration of the day
Martin, David: Some paintings by Joseph Crawhall, Jun.
Richards, Frank: Letters from artists to artists, [10], Venice as a sketching-ground
H., C.: The Renaissance of the potter's art in France
W., G.: Decorative illustration, with especial reference to the work of Mr. Paton Wilson
Bate, H. Francis: Clouds
From gallery, studio, and mart, with illustrations, [6]
The editor's room
Einband
Maßstab/Farbkeil
Overview
Facsimile
0.5
1 cm
Scroll
OCR fulltext
Information about OCR text
AN IDYLL. FROM A
PAINTING BY MAURICE
GREIFFENHAGEN
(By permission of the Corporation of Liverpool)
Annotationen
Feedback
×
Close
We look forward to your questions and ideas.
From
Feedback
Last Change 08.03.2024 © Heidelberg University Library
Imprint