From Gallery, Studio, and Mart
some crisp dialogue, which satirised the local
politics of the Royal Academy schools, and current
art generally. When, in the second scene before
a mimic council, canvases painted in the style of
C. Q. Orchardson, L. C. E. Baumer, W. H. Byles.
C. H. Sims (the author of the play), W. G.
Churcher, S. Jacobs, and G. F. Metcalfe; with
Misses Pyke-Nott, Olive Owen, and N. du Maurier.
FROM A DRAWING BY W. Q. ORCHARDSON, R.A.
(For the Programme o] the R.A. Students' Dramatic Club)
the most popular modern artists were brought to It would be invidious to attempt to award praise
judgment, some distinctly good parodies provoked to individuals here, but the merit of the acting, if
great applause. To Mr. C.Q. Orchardson, the secre- not parallel with that of the canvases and sculp-
tary, much credit is due for the excellent manage- ture shown in the last competition, was at least
ment of the play. The cast included Messrs. creditable, and in some instances brilliant.
92
some crisp dialogue, which satirised the local
politics of the Royal Academy schools, and current
art generally. When, in the second scene before
a mimic council, canvases painted in the style of
C. Q. Orchardson, L. C. E. Baumer, W. H. Byles.
C. H. Sims (the author of the play), W. G.
Churcher, S. Jacobs, and G. F. Metcalfe; with
Misses Pyke-Nott, Olive Owen, and N. du Maurier.
FROM A DRAWING BY W. Q. ORCHARDSON, R.A.
(For the Programme o] the R.A. Students' Dramatic Club)
the most popular modern artists were brought to It would be invidious to attempt to award praise
judgment, some distinctly good parodies provoked to individuals here, but the merit of the acting, if
great applause. To Mr. C.Q. Orchardson, the secre- not parallel with that of the canvases and sculp-
tary, much credit is due for the excellent manage- ture shown in the last competition, was at least
ment of the play. The cast included Messrs. creditable, and in some instances brilliant.
92