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Studio: international art — 3.1894

DOI Artikel:
The editor's room
DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.17190#0214

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A wards in " The Studio " Prize Competitions

Longsight) : commendable. Old Hundredth (Miss excellent. Sgraffitto (A. E. Hollinshead, Stoke-on-
G. E. Offord, Norwich): bold and effective. Oreas Trent): very pleasant, but not practicable. Sphinx
(J. S. Eland, Stockwell): a good example of a (Francis Moore, Throgmorton Street): two draw-

DESIGN FOR A CARVED WOODEN BOX "PISCES," FIRST PRIZE

translation upon tracing paper. Penelope (Miss B. ings, both too elaborate. Thistle (Miss E. B.

Banks, Croydon): good. Pierre (J. E. Killing, Holden, Birmingham): although the effect is

Trowbridge): a very artistic sketch. Pirns (R. J. open, the details are not simple enough. Tokio

Williams, Birmingham): a decorative version, con- (C. Randal, Great Western Road, W.): good,

sistent and accomplished. Plodder (Mrs. Travers, Ugly Little Sin (Nathan Vanderlyn, South Ken-

Weybridge) : a well-arranged scheme. Polly (Miss sington): very well adapted for process work.

Ethel Sykes, Croydon): satisfactory. Princess Walb (W. Broomhead, Leeds): too complicated,

(Mrs. J. R. Rhodes, Prestwich): two very good but good. Zinco (F. H. Edminson, Sale): two

DESIGN FOR A CARVED WOODEN BOX " ARC A, SECOND PRIZE

drawings, full of admirably contrasted masses. drawings in ink that would yield quite a different
Punch (F. E. Ashford, Birmingham): good. effect; are examples of good work spoiled by the
Ramsbottom (D. Tennent, Ramsbottom): highly material, a not infrequent defect that needs point-
finished, but excellent of its kind. Salamander ing out.
(A. Gilfillan, Glasgow): the most vigorous sketch

sent in. Saturn (O.Chambers, Peckham): interest- Design for a Carved Wooden Box (C. IV.).
ing and well set down. Savanorola (no address): The conditions set for this subject demanded
 
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