Content

• Einband
• Schmutztitel
• Titelblatt
• Index to volume III
• Frontispiz
• No. 13 (April, 1894) DOI
  • 3-6 Baldry, Alfred Lys: Albert Moore, [1] DOI
  • 6-12 Wedmore, Frederick: The responsibility of painting: an address to students of art DOI
  • 13-16 M., A.: On some methods of suppression and modification in pictorial photography DOI
  • 16-20 Rothenstein, William: Some remarks on artistic lithography DOI
  • 20-24 Briggs, Robert Alexander: Bungalows DOI
  • 24-26 Leighton of Stretton, Frederic Leighton: Study of a lemon tree DOI
  • 26-31 From gallery and studio, with illustrations, [1] DOI
  • 32 Khnopff, Fernand: Some English art works at the "Libre Esthétique," at Brussels DOI
• No. 14 (May, 1894) DOI
  • 35-41 Dillon, Frank: Studies by Japanese artists DOI
  • 42-46 Patten, William: Letters from artists to artists, [7], Bruges as a sketching ground DOI
  • 46-51 Baldry, Alfred Lys: Albert Moore, [2] (concluded) DOI
  • 51-54 Kruekl, F.: Leather embossing as an artistic handicraft DOI
  • 54-58 Lambert, Ernst: On the use of a single lens in portraiture, with illustrations DOI
  • 58-64 From gallery, studio, and mart, with illustrations, [2] DOI
• No. 15 (June, 1894) DOI
  • 67-71 Jacomb Hood, George Percy: Dry-point etchings by Helleu DOI
  • 71-75 Strange, Edward F.: Stencilling as an art DOI
  • 76-78 Tuke, Henry Scott: A day in Falmouth Harbour DOI
  • 78-85 Frampton, George; Webb, Matthew: On colouring sculpture DOI
  • 85-96 From gallery, studio, and mart, with illustrations, [3] DOI
• No. 16 (July, 1894) DOI
  • 98-101 Vallance, Aymer: The revival of tapestry-weaving: an interview with Mr. William Morris DOI
  • 101-106 The poetic in paint: by a landscape painter DOI
  • 106-110 Marshall, Herbert: Letters from artists to artists, [8], London (second letter) DOI
  • 110-116 Woodcut printing in water-colours: after the japanese manner DOI
  • 117-122 A studio of design: an interview with Mr. Arthur Silver DOI
  • 122-124 Leighton of Stretton, Frederic Leighton: Sir Frederic Leighton on the relation of architecture and the sister arts DOI
  • 124-128 From gallery, studio, and mart, with illustrations, [4] DOI
• No. 17 (August, 1895) DOI
  • 130-136 Afternoons in studios: a chat with Mr. G. H. Boughton DOI
  • 138-141 Harper, C. G.: Letters from artists to artists, [9], Shrewsbury as a sketching ground DOI
  • 142-144 Strange, Edward F.: A new designer for metalwork DOI
  • 144-148 Woodcut printing in water colours, III DOI
  • 150-152 Vallance, Aymer: The Home Arts and Industries Association at the Royal Albert Hall DOI
  • 153-159 Webb, Matthew: On Gesso, and some designs in a competition for a finger-plate DOI
  • 159-160 From gallery, studio and mart, with illustrations, [5] DOI
• No. 18 (September, 1894) DOI
  • 162-164 The sea maiden: a painting by Herbert J. Draper DOI
  • 164-166 Hiatt, Charles T. J.: A note on the decoration of the day DOI
  • 166-170 Martin, David: Some paintings by Joseph Crawhall, Jun. DOI
  • 170-179 Richards, Frank: Letters from artists to artists, [10], Venice as a sketching-ground DOI
  • 180-181 H., C.: The Renaissance of the potter's art in France DOI
  • 182-184 W., G.: Decorative illustration, with especial reference to the work of Mr. Paton Wilson DOI
  • 184-190 Bate, H. Francis: Clouds DOI
  • 190-192 From gallery, studio, and mart, with illustrations, [6] DOI
• I-XLVIII The editor's room DOI
• Einband
• Maßstab/Farbkeil